Feedburner

Umphrey's McGee - Live From the Lake Coast

umdvd.jpg
Up until a few weeks ago, I was not very familiar with Umphrey’s McGee. I knew they were an “up-and-coming” band who occasionally showcased twinges of rock, jazz improvisation, heavy metal, and rap (all of this without actually hearing a single one of their songs). After viewing their first live DVD release, “Live From the Lake Coast,” I realized that Umphrey’s McGee is the real deal. They are a powerful, poignant, and idiosyncratic group of musicians who aren’t afraid to groove.

ulu - Nerve

ulu4.jpg
Nerve, the new album from ULU, is a perfect example of what I like to call New Age Funk. ULU displays an amazing amount of different beats along with great rhythms throughout the album. The entire record is a tribute to their musical talent. With few songs with lyrics, the instruments are the vocals of this album.

Amfibian - From the Ether

amfib.jpg
Attention Phish Fans, longtime friend Tom Marshall returns with his second Amfibian album entitled From the Ether. The album definitely has a Phish feel to it. Though this time the group is completely different, Marshall still puts out the same general sound which has made him so popular.

Either/Orchestra - Afro-Cubism

eo5.jpg
The Either Orchestra says more with their instruments then words could every say in their new album, Afro-Cubism. The ten piece group combines all their musical talent with their creativity into a 42 minute, 6 track, piece of genius. The classical but jazz-like sound they produce is a testament to their powerful instruments and intuitive ideas.

Cerulean City - Trio Grande

ccity.jpg
On their debut CD Trio Grande, New York’s Cerulean City waste no time in getting into one of their loose-limbed, cinematic instrumentals. The trio (Christian Smith on guitar, John Servo on bass guitar, and Lars Burggren on drums) has been gaining much recognition for their wide-open live shows, and the opening track gives a glimpse into what this band is all about. “Disco Johnson” thrives on a firey bass groove and snappy drumming that allows Smith to wander about on his guitar, diving through the rhythm with well-planned assaults. The song winds up in a pulsating disco realm. Their thought-provoking excursions remind me of another guitar trio, Raisinhill. The bands share an affinity for diverse, melodic instrumentals and jazzy changes.

The Disco Biscuits - Trance Fusion Radio Broadcast 4

discoradio4.jpg
Trance Fusion Radio Broadcast 4 is the newest installment in The Disco Biscuits' series of high-quality live releases. Done more out of need to document the band's ever-shifting sound that for conventional album purposes, TFR4 is another must-have for Biscuits fans and perhaps another mystery for those music fans that aren't familiar with the band.

The Motet - Live

motet3.jpg
The Motet wants nothing more than to make your body gyrate uncontrollably. This is apparent from the opening percussion melee that starts their third album, Live. This is not just a bunch of guys pounding on drums though. The band has actually traveled far and wide to study percussion.

Keller Williams - Laugh

kw6.jpg
After several listens, I had not put my finger on what it was about Laugh that made it so appealing. I concluded that there are no cosmic, thesaurus-supported rants residing in my noggin that can explain it. Keller Williams is just too real.

Perpetual Groove - Sweet Oblivious Antidote

PG.jpg
It would sell the Athens, GA based quartet Perpetual Groove a little short to encapsulate their music with a catch phrase. Mercifully, the ebullient group has provided listeners with a perfect verbal synopsis of their sound with the title of their debut album Sweet Oblivious Antidote. Even the album’s artwork provides a glimpse into P-Groove’s eclectic attitude. The outside is done in the style of an antique medicine bottle and below the disc tray is a grainy grocery-bag colored photo of the band, but the liner notes are decidedly futuristic. This all-inclusive vibe is evident from the first track, “Three Weeks”, which rides a genuine rock-ballad groove before launching upwards into the electronic skyline. The lyrics are desperate but hopeful. Yin and Yang prevail.

Garaj Mahal - Live Vol. 1 - 3

garaj3.jpg
Ah, futility. I have thrown my hands in the air, unable to wrap any brand of verbiage around these phenomenal live releases from the band you should know and love, Garaj Mahal. In spite of this, I’ll give it a shot.

Pages

Subscribe to Leeway's Home Grown Music Network