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Brian Stoltz - God Guns & Money CD

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Bob Dylan may or may not be in the Swan Song of his career but Stoltz sure isn’t. Brian Stoltz crafts ten epic and righteous attacks on our bizarre, circular foreign policies with the proper tinge of liberal and civic outrage. This concept album was crafted when his brother, Keith Stoltz, returned home “safely after serving over a year of active duty in Iraq.”

Bassnectar - Mesmerizing the Ultra (2 CDs)

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Ask anyone who’s seen him live about the experience and you will surely get a response that you’d swear was from a swooning 13 year-old girl. Voted the #1 dj in San Francisco, Lorin aka Bassnectar revolutionizes those two little letters. He is the ambassador for this blossoming new jamtronic music scene. After over ten years playing at Burning Man and other freakalicious gatherings all over the country, he is now popping up all over the jam band scene. He’s had shows at AT40, NYE w/ SCI, 3 amazing sets on Jam Cruise, and soon to be Wakarusa.

Signal Path - Live CD

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Multi-date recordings are all the rage in current live music production; various locations seamlessly mixed together into one organic whole. This production procedure isn’t as easy as it may seem, as the band needs to maintain a united, collective sound while offering fresh audio imagery. Signal Path-Live collects seven teleportational tracks from six different locations from July through October 2004. Steve Beatty and Collin Cargile of Real Image and Phil Lucks did an excellent job of recording, engineering and mastering the CD, which segues from track to track without a hint of a locale switch.
Built around the idea that ‘songs come first’, this compelling young band has earned the relentless admiration of music fans all over the Northeast. On stage, this five-piece ensemble brings an all-embracing musical experience, combining catchy rock melodies and lyrics with powerful exploratory improvisations that keep their loyal fans coming back for more.
SCARECROW COLLECTION are:
Ed Fritz - Keyboards and vocals
Joe Fee - Drums, percussion and vocals
Gerard Fee - Acoustic guitar and vocals
Nick Setteducato - Electric Guitar and vocals
Mike Sojkowski - Bass

Interview by: Lauren Rudolph

HGMN: Who are your greatest musical influences?

ED: Beethoven, Jimmy Smith, Bob Dylan, Jay Farrar and My father

JOE: Right now my biggest musical influences are Frank Zappa and the classical contemporary composer Steve Reich.

GERARD: The Beatles, Bob Marley, Led Zeppelin, Paul Simon, The Allman Brothers Band, The Doors, Pearl Jam, Nirvana, The Grateful Dead, Stone Temple Pilots, The Black Crowes, Phish, Radiohead.......(the list goes on and on.....)

NICK: As a guitarist, I'd have to say my biggest influences are Jimmy Page, Eric Clapton, and Jimi Hendrix- sort of the Holy Trinity of rock guitar. As a musician though, I have a lot of influences that maybe don't inform how I play my instrument as much as how I look at music and performing. Its kind of an eclectic group, from Otis Redding to David Byrne, and from Elvis Presley to Eddie Vedder. I'm really interested in musicians who can do something that's completely their own- even if they play a simple blues tune; they still make it their own.

HGMN: If you could see any musician that has since passed away, live in concert for just one show, who would it be?

ED: Beethoven

JOE: If I could pick any concert to go to it would be John Coltrane. Hearing him on record has always blew my mind, and i imagine hearing him live would have been quite an experience.

GERARD: Definitely Stevie Ray Vaughan. To listen to Stevie is one thing, but to see him live is a whole different story. I have some video footage of him and it just blows my mind every time I watch it. It's just more than playing. You could see his joy and all his struggles come through the music. He plays so effortlessly too. It's like he's hearing the music from a higher power.
NICK: I'd love to see Jimi Hendrix, and to see him play a show up close. When he was 'on', the man was like a lightning rod for inspiration and creativity. Even the way he moved onstage was just pure passion and music

HGMN:
If you had never taken an interest in music, what do you think you would be doing with your life?

ED: Running my own business.

JOE: If i wasnt playing music i would probably be involved in some other art form. Most likely writing literature.

GERARD: That's a tough one. I guess it would have to be with some sort of the arts. Photography or painting or something.

NICK: I think I would have been playing baseball for some minor league team somewhere, or hustling the NYC art scene in an Andy Warhol kind of way. I used to love baseball, but I had a problem with the authority aspect of the team. Luckily I found a guitar. I also went to school at NYU for visual art, and I learned that a lot of the 'art world' is just an elaborate hustle. I got a bit jaded and threw more of myself into unadulterated world of the music business, which as we all know is pure and completely uncorrupted.

HGMN: This question is for Gerard...Steely Dan is one of my favorite bands and I understand they are one of your many influences. What is your favorite song and why?

GERARD: To be honest, I don't even listen to Steely Dan. That's not to say that they are not a good band. They are a great band, but I think Nick said that I was a fan and that didn't make sense to me. I honestly couldn't tell you one Steely Dan song. I dont know the title to a lot of songs. It's a bad habit I have. I just buy the cd of a band I like and throw the jewel case in my storage room. I rarely know the title to any songs.

HGMN: What do you consider the greatest rush of live performance?

ED: The crowd's enthusiasm

JOE: The biggest rush of performance is the conversational aspect between the performer and audience. The aspect of never really knowing whats going to happen until it happens is very appealing and the audience's reaction plays a big part of it.

GERARD: Any time I was at a Phish show. They made me so happy every time I saw them live.

NICK: I think the greatest part of playing live is when you reach that point where your mind stops handling things. Sometimes it happens early in the show, sometimes it doesn't happen at all, and sometimes it may happen for part of the show or even part of a song. But when it happens, it's like your ego steps out of the way, and you're free to just play music. You stop thinking about the song, the arrangement, the audience, the light in your eyes, the guy shouting 'Freebird' and you are able to play comfortably and purely with no distraction. I think the best shows are when that happens at the same time for all five of us on stage as well as with the audience. Of course, when you're jamming, and you realize you've reached that point with the music, you inevitably ruin it because you've started thinking again!

HGMN: What is your favorite venue to play?

ED: Mexicali Blues

JOE: My favorite place to play is Mexicali Blues. They give us the space and time to play how we really need to play.

GERARD: Definitely Mexicali Blues in Teaneck, NJ. The room sounds great and the people that work there are the best.

NICK: I really think Mexicali Blues in NJ is one of the best venues overall that we've ever been privileged to play. The sound, the atmosphere, the lighting, the setup of the room itself- they are all geared toward giving the band and audience the finest experience possible. They've put a lot of time and thought into that venue, and it's reflected in the stellar performances you can catch there any night of the week. But, of course there are venues that I love to play because of the atmosphere or the vibe alone, such as The Underpass in NJ, or the Electric Company in Utica, NY.

HGMN: What is your favorite thing to do while traveling from show to show? Are there any particular places you like to stop and check out?

ED: Stop to get something to eat, sit around, BS and laugh.

JOE: Traveling is a good time to just relate to the other guys in the band. With the way things happen, we usually only see each other for rehearsals and gigs and to travel with everyone gives us a chance just to hang out.

NICK: Whenever we head to upstate NY on the NYS Thruway, I feel compelled to stop at the New Baltimore rest stop. I don't know why, but I feel like if I don't, something bad will happen. Also, I am kind of superstitious about what I call the "School House Road" phenomenon. Basically, I have noticed that whenever we play anywhere at least two hours from home, we always pass a 'School House Rd.'. Whether we go North, East, South, West, Northwest- whatever direction, I always see a sign for a School House Rd. I guess it's another weird superstition of mine, but while traveling, I enjoy looking out for the School House Rd. sign. It's a bit strange, yes.

HGMN: How long have you all been playing together?

ED: I have been in the band 3 years

JOE: I have been playing with gerard for over ten years in various forms, in fact much of my learning in the beginning came from him. I have played with mike and nick for about six years and the current group with ed has been together close to three years i imagine.

GERARD: The current line up has been together for about 2 and a half to 3 years.

NICK: This lineup of the band has been playing together about 3 years. This to me is the band, and Ive never felt more comfortable playing with any other group of musicians. Although, I have been playing with Gerard and Joey for a bit longer than that.

HGMN: What songs are you proudest of?

ED: Faster, Grateful, and The Moon will always rise

JOE: I am proudest of Moon, Hooked and Shattered, and Bread Sandwich because they each represent a structurally different arrangement than what most rock and roll has been.

GERARD: Personally my proudest songs are Pressure, Grateful and Faster. I think those songs really got down to the meaning of what I was truly feeling at the time.

NICK: I think as a band, I'm most proud of a song like 'Hooked and Shattered' which Gerard brought to the band in one form, and it kind of morphed into the tune it is now. I always feel a great sense of accomplishment when Gerard writes a tune and the whole band is able to contribute something to it that makes the song something bigger and better than what it would be otherwise. I guess it's the collaborative effort that I feel most proud of when it's successful. Of the few tunes I've ever written, I'm most proud of a song called "Ratboy". It's about a mythical being, shunned to live under the ocean, where he teaches the sea creatures to sing the music that the people on the land wouldn't bother to sing. Its pretty heavy stuff and it says something about the duality of man. It's actually about I guy I knew in college.

HGMN: What is your summer schedule like? Will you be playing any outdoor festivals?

GERARD: So far we are booked to play Strangecreek and Gathering of the Vibes this summer. I can't wait until festival season. I'm sure we will be playing more that are in the works

NICK: Our summer is shaping up to be a great time with a lot of great shows. We're looking forward to doing quite a few festivals, including some big Northeast fests like last year.

HGMN: Here's a silly question...if you had describe yourselves only as Muppets, which Muppet would each of you be?

GERARD: Wow! I guess Joey, our drummer, would be Animal for obvious reasons, Nick would be Gonzo because he's real silly all the time, Ed would be Fozzie because he's everyone's friend, and Mike would be Kermit because he's level headed about everything. I dont know who I would be. I ran out of Muppets. Who's left , Miss Piggy?

NICK: I think I can relate to Gonzo the most.

HGMN: Where did you come up with the name, Scarecrow Collection?

JOE: I dont know the origin of the band name. I will have to read wherever these answers are going in order to find out. I usually let gerard handle things like names.

GERARD: It started out because me and a buddy of mine who played harmonica, where playing folk songs all the time and every song seemed to have a scarecrow, a wheat field, or an old shack at the end of a road in it. We obviously called it Scarecrow at the time. We then found out that some sort of Sweedish death metal band from the seventies already had that name so, we decided to add the Collection at the end. Meaning a collection of music and friends.     

Jazz Mandolin Project - The Deep Forbidden Lake CD

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Over the past decade, Jazz Mandolin Project has been making music that steadily evolved. In the late 90’s the sound was born of jazz and shot through with heaps of improvisation and exploration. The unique sound of Jamie Masefield’s zig-zagging mandolin gave the music an unmistakable quality, and he employed various rhythm sections to form intrepid trios (one of which included Jon Fishman) that skittered their sounds across stages at clubs and festivals with brainy glee. The self-titled and Tour De Flux albums seemed to mark a clear path that Masefield would return to again and again.

Up All Night: Jammin' to The Talking Heads

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One must approach Tribute CDs with extreme levels of caution. There is perhaps no more dangerous bridge to cross as a music buyer. Sometimes it works out OK - pleasant enough jazz and bluegrass tributes have been produced – but it always threatens to wander into the realm of pointlessness. Is there really an audience for A String Quartet Tribute To The Red Hot Chili Peppers and The Dub Tribute To Limp Bizkit? What niche of music lovers is so refined and unknown that it deserves A Rockabilly Tribute To AC/DC? It’s hard to take these tributes seriously sometimes, but that’s OK. I like to think that the musicians and producers and listeners aren’t looking for a galvanizing experience, but maybe to witness the whimsical oddity of, say, Coldplay performed bluegrass-style.

Xavier Rudd - Live at the Grid

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Australian Xavier Rudd is the most popular unknown musician in the United States at the moment. The one-man rhythm and melody machine impressed enough folks at Bonnaroo last year to outsell even the biggest names at the festival, but up until now, his first two records, To Let and Live at the Grid, weren’t available to anyone off the limited course of Rudd’s U.S. tour. Finally picked up for distribution by the Home Grown Music Network, the two albums complete Rudd’s collection for his American fans.

Chatham County Line - Route 23

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Like most good bluegrass, Chatham County Line’s sophomore album, Route 23, mourns the loss of things cherished and the slow decay of the memories attached to them, but the band itself has little need for memories. The high lonesome sounds of Appalachia ring out across time’s peaks and valleys as the Raleigh, NC quartet channels withered mountain souls through the hidden depths of their young men’s hearts.

Fareed Haque Group - Cosmic Hug

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Mixing cultures here but hey, it’s all in the musical family. Led Zeppelin reached a key summit with their 1975 release “Physical Graffiti.” In retrospect, this Moroccan album via the Flames of Albion overshadowed their mysterious ‘Runes’ album, which contained “Stairway” and the blues masterpiece of production and sound “When the Levee Breaks.” Graffiti featured the ethereal trance classic “Kashmir.” Lead vocalist Robert Plant, lead guitarist and chief Zep mystic Jimmy Page – rock music’s most talented studio producer - and former Page band mate, Jeff Beck, have all sited this song as the definitive Bonham-Jones-Page-Plant pearl. The rest of the album wasn’t chopped liver, either…Custard Pie, The Rover, In My Time of Dying, Trampled Underfoot, In the Light, Ten Years Gone, The Wanton Song, Sick Again - need I continue?
Peter Prince, the manic frontman of jam/funk legends Moon Boot Lover, embodies the theatre and soul of Rock 'n' Roll at its very finest. His performances bristle with raw emotion, romance, deep-hearted soul, and a trademark sense of humor that puts him in a class all by himself.
By: Andrew Swift

HGMN: You are obviously an inspired, artistic person who loves music. What keeps you going day after day?
PRINCE: Well, my folks are both retired art teachers, so I've always had creative people in my life who are actively pursuing and developing their craft. There's just too much to do to ever be bored, if anything, there's so much that it can be overwhelming, I just try to remain focused.

HGMN:
What are your top 3 likes and dislikes of the world we live in today?
PRINCE: Dislikes: Ignorance, Phonies and the DMV(taxes)
Likes: Solidarity,Technology, Moon Boots

HGMN: Where did the idea of your alter ego "Moon Boot Lover" come from?
PRINCE: I've always been a big sci fi/comic book fan, and when it came time to put it all together, the Moon Boots that were kicking around the garage, reminded me of theatric bands like KISS, the alter ego Alice Cooper, David Bowie, P-Funk, and I was invisioning comic book like covers for MBL's musical releases. I figured even if someone didn't know the title, they would probably remember the edition number: Edition 1 "Outer Space Action" Edition 2 "Live Down Deep" Edition 3 "Martian Dogs"(still unreleased at this date) and Edition 4 "Back On Earth."

HGMN: People know you for being such a colorful performer when you are on stage. What are you like off stage, away from music?
PRINCE: Off stage, I coil back up until the next strike! Silence is Golden!!

HGMN: Moon Boot Lover has consumed most of the last 12 years or so, is there a certain era or line up that played with you that sticks out a little more than the rest?
PRINCE: The few years that the Evans Brothers and Jon Hawes were in MBL are very memorable, because we where living together as a band, rehearsing in our living room, sharing all the expenses, writing music and bouncing it off each other, a very creative time for us. I'd have to say that every line up has been different, and each musician has brought their own style to MBL. All of these changes have shaped MBL into it's own original Rocket-Soul self.

HGMN:
What are your hobbies when you are not playing music?
PRINCE: No real hobbies, unless searching and collecting rare and exotic Moon Boots. Is that considered a hobby?

HGMN: How has your musical journey shaped you as a person?
PRINCE: Music has taught me a universal language, introducing me to so many different people and places. Physically, mentally, and spiritually I'm forever changed!

HGMN:
You are not going out on the road for a month or two through the midwest or down the east coast like you once did. Is playing in the New England and New York area a getting back to your roots, like when you first started out?
PRINCE: Well, in the past I was running all over the place trying get the music out there, probably spreading myself to thin, but being more centralized and focused in an area like the Northeast, brings me home more often(oh my own bed!), and lets me get back into those towns more often. Pretty soon MBL is going to head west and do a run down south as well.

HGMN: What's in your CD player these days?
PRINCE: Andy Herrick, a former MBL drummer sent me a disc of Ray LaMontagne just recently, he's a singer songwriter out of Bangor ME, really beautiful stuff, soulful and brillantlly produced. Check him out!

HGMN: Are there any festivals fans can see Moon Boot Lover or you solo this upcoming festival season?
PRINCE: At the moment festival dates are being solidified, for the readers, please check back with MoonBootLover.com for future gig postings. Thanks!

HGMN: Flying V or Stratocaster?
PRINCE: YES! Although apples and oranges, the fruit is so sweet!!!

HGMN: What would like to accomplish in life that you haven't yet?
PRINCE: Having a child with the one I love.

HGMN: Name your top 3 memories of all time from past performances.
PRINCE: April fools day at "Valentines" in Albany, anyone that was there will never forget, we played a gag on the audience. A New Hampshire college gig, when during the song "Cool Wind", the sky turned from gray into a shimmering cathedral! Of course jamming with Derek Trucks, Oteil or Tim Reynolds were all a great thrill!!!

HGMN: Have you ever thought of making a DVD? Any plans to make one in the future?
PRINCE: The Trauma Unit project I did with Johnny Trama, Eric Kalb and Nate Wilson among others, was filmed and made into a DVD, just never released... boo hoo, but I've been gathering alot of vhs tapes from a span of MBL history and hoping to edit the miles of tape to press in the near future.

HGMN: Are there any plans for a new release this year?
PRINCE: This year I would really be pleased to release MBL's 3rd Edition"Martian Dogs" featuring me and the Evans Brothers from Soulive, www.soulive.com I've also been laying down tracks for an upcoming acoustic album as well as a full on dance recording.

Until then, Please Stay Tuned and BOOT TO THE HEAD!!!     

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