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Les Claypool - 5 Gallons of Diesel DVD

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So did Aunt Susan break out the scrapbook on you this Christmas? Howdja like her gripping narration, slowly flipping through endless pages of distant cousins, great great uncles and “friends of the family”? Or maybe Dad wanted to impress everyone with his technical savoir faire and flip through all 400 photos on the digital camera you gave him last year—every single tiny event from last Christmas morning to last night’s ceremonial bird carving. Good stuff, huh?
The West Coast's ALO (Animal Liberation Orchestra) cap off a year of extensive touring with the release of their fourth LP, Fly Between Falls in the Fall of 2004. Over the course of this ten-song set, Steve Adams, David Brogan, Zach Gill and Dan Lebowitz apply the full force of the band's collective consciousness to weave quirky California soul with shapeshifting jams, introspective lyrics with sun-soaked funk, all infused with the uplifting vibe that ALO's ever-growing legions of fans live for.
Interview by: Chris Robie

This interview took place inside the band's RV right before their gig at The Music Farm in Charleston, SC, 11/26/05

Dan Lebowitz- Acoustic Guitar
David Brogan- Drums
Steve Adams- Bass
Zach Gill- Wurlitzer, Accordion, Vocals


HGMN: If ALO were a class at a major university, what would be the required reading?

Steve: The Real Book, I think, maybe.
Dan: Hmmm, really? That may be supplemental reading. If I could just list all the books that I would make everybody read...
Steve: We like to have fun. We like the little quirky stuff. It would be a book that kind of goes with that.
Dave: Maybe Cat In The Hat.
Zach: Breakfast of Champions.
Steve: The Little Prince.
Dave: The liner notes to Steely Dan's AJA.

HGMN: You guys have a couple of shows coming up in Japan. Anything you look forward to doing once you get there?

Dan: We're not going to have a lot of time there.
Dave: I know. I want to do a lot of things but I don't think we're going to have the time to do them.
Dan: I look forward to playing "Haji Memashite".
Zach: Yeah. We wrote this song for the trip that's in Japanese.
Steve: It's basically saying, "It's nice to meet you." It's the greeting song.
Dan: I really look forward to seeing the country.
Steve: I'm also looking forward to meeting the Beautiful Girls. That's who we're co-billing with.
Dan: They're from Australia.

HGMN: Which band member do you feel is the most eccentric and why?

Steve:
Eccentric?
Dave: I think Zach Gill, because of his sticks and sweaters.

HGMN: What's the deal with the sweaters?

Zach:
(Laughs) There's no deal!

HGMN: Do you wear them in the summertime?

Zach: Occasionally.
Steve: They're always the big sweaters, kind of like the "Dude".
Dave: I think maybe I'll switch and say Steve.
Steve: Why, because of the mustache?
Dave: (Laughs) No, because of like...
Zach: Because of all the subtle things that he does. For one, he doesn't sleep much. He stays up online.
Dave: He's the band's archivist.
Steve: You have to be a little crazy to do the things I do.
Dave: When you walk into his room, he has a pretty small room, it's like you're stepping inside an archive. You're just surrounded by archival material. It's from the floor to the ceiling. He's always filing and making lists. He's an archival character. He's very eccentric.
Zach: Yeah. It's not the guy with the sticks and sweaters.

HGMN: What's the deal with the sticks?

Steve: He just has a thing with sticks. He's always, like, finding sticks on tour. He'll have this certain stick for a week. He'll find them & then sometimes lose them. One time he had a broom stick for a couple days.
Dave: The other night when we sat in with Galactic, we're singing with them and then Zach walks over with this stick, dancing with it on stage.
Zach: It's like an old man thing. I kind of picked it up in high school. It makes me feel comfortable, with old sweaters & holding a cane. I have a daughter so I'm kind of like in the "father" role. I think the more you get to know someone the more eccentric they become.

HGMN: The new CD, Fly Between falls, has been nominated for album of the year by the HGMN. Did you know going in to the studio that this was going to be something special or did everything kind of just fall in to place as it happened? Were there any unexpected surprises?

Zach: There were lots of surprises...
Steve: It did feel special making the new record. It felt special to me because it's the first record we've done with Dave. We first started playing with Dave back in 1996, almost 10 years ago. We recorded a demo and then he moved up the coast. We kind of parted ways after that. I always felt that we had a really good chemistry with him. In that way it's something we've been waiting for a long time.
Zach: In this scene, especially this "Jam" scene, you hope to make an album that you're proud of and that the fans will be in to it. There's so much good music out there. As you might know there's not that many ways to get your music out so it's good to have something like the HGMN out there.


HGMN: If you wanted to turn someone on to your music, someone who had never heard your music before, which song would you pick and why?

Dan: For me it's tough because it would depend on who the person was.
Steve: For some people it would be 'Wasting Time'. It has both Zach and Dave singing on it. It has a nice little catchy hook to it. It has a nice little jam at the end too.
Dan: It covers a lot of territory that we do in that one song.
Dave: It's sort of funky, it's sort of rootsy...yeah.
Steve: I sometimes like 'Possibly Drown'. I know that it's not everyone's choice. It's also kind of rootsy and it's also kind of bluesy. It's one that often times we'll play earlier in our sets as kind of a warm up. For me it's always a good introduction song.

HGMN: What's the last CD you really enjoyed listening to?

Zach: Dave Brogan's soft rock mix. (Laughs)

HGMN: What's on it?

Dave: Ambrosia, Kenny Loggins...
Steve: We all just kind of got turned on to The Flaming Lips album, Yoshimi Battles The Pink Robots.
Dan: That first song is just so good!

HGMN: Did you guys see them in Vegas?

Dave:
Yeah, I did. It blew my mind. I'm definitely into them right now.

HGMN:
What is your most memorable moment on stage? Most embarrassing?

Dave: Like ever?
Steve: The first thing that popped into my head just now was when, sometimes during the song 'Plastic Bubble', Zach kind of eggs me on to, like, stand up on the amp and jump off or whatever. One time it was like that moment and I tried to get up on the monitor and I just slid off. It was pretty embarrassing. I don't think that many people saw it, although it was a full room. I kind of crawled back around, sheepishly.
Dave: One moment that popped into my head was about 2 or 3 years ago, we were playing at the Sundance film festival. We were playing at this bar, a little bar gig, so there really wasn't much of a stage, just a little platform. The people were dancing right in front of us really up close, and this drunk, tool guy, keeps sticking his hands around the keyboards while Zach was playing, almost right on top of his hands. He was really invading his space, messing with Zach and everything. So he kept doing it and kept doing it and finally he turns his back to Zach to, like, talk to some girl. Zach then just reaches over and sticks his hand right on his ass. The guys is like, "what the?!"
Zach: (laughs) Oh, yeah. That's right.
Dan: This summer I was doing this accordion solo and one of those beach balls landed on the stage. Sometimes everyone's watching just to see what you'll do. I kind of felt like I was under all this pressure, like I was up to bat. I remember kicking it back in to the crowd as I continued the solo. (Laughs) It was a triumphed moment.

HGMN: What's your favorite movie?

Steve: Ever?

HGMN: Have you seen Kung Fu Hustle?

Everyone: Yes!
Dave: That's right up there for me.
Dan: Spinal Tap.
Zach: Yeah! Sometimes we'll be in some type of argument and someone will say a line from Spinal Tap. It's like we've become a parody of ourselves.
Dave: It's like this summer when we've been playing those big places with Jack, they have those underground cavernous back stage areas and time after time we found ourselves trying to get back to the stage and not being able to find the door. We get lost.
Steve: You can hear the people cheering in the background.
Zach: that movie really hits a lot of stuff dead on. We used to watch it all the time.
Steve: That Johnny Depp movie, Finding Neverland.
Dan: Crash. That was a great movie! It's so heavy.
Steve: Batman Begins.
Zach: I really liked Life Aquatic. I like all his movies. The Royal Tenenbaums & Bottle Rocket...

HGMN: Any pre-show rituals? Superstitions?

Dave: The making of the set list is kind of our pre show ritual.
Steve: We all work on it together. We usually work on it right after sound check. Sometimes we do it on the drive to the show.


HGMN: How are the set lists chosen?

Zach: Now we're having to like, and this has been a whole new thing now that 'Fly Between Falls' has been doing pretty well, a lot of people kind of expect to hear songs from that album and we have like 40-50 songs that we pull from and there's only 10 on 'Fly Between Falls' and a lot of those aren't even tunes that you feel like playing live like you do other songs. But now we get people wanting to hear some of their favorites from that album and now we've been catering more to that.
Dan: And that's been fun because you can tell when you play something that people know. It kind of communicates with them in a whole other way. I feel you kind of connect with people. We kind of do different versions of them and we improvise a little bit and that's kind of been the saving grace for me that it's not going to sound the same as it does on the album. Its fun to play a song that people know but it's more fun to be able to do something different with it.
Zach: I think with songs it really does help to be kind of familiar with their music. You get that feeling when everybody's singing along. We just did a bunch of shows with Galactic. That was really cool and I was kind of realizing that you can not be familiar with Galactic's music at all, kind of just go cold, and you can get into the way that they perform with each other, just get into that whole thing. But I feel with a more song oriented band it's nice to know the words, to participate in that kind of way.
Dan: This gig in NY with Galactic the other day, to me, this was like the coolest thing of the whole tour. There was this kid, he looked to be about 8 years old, he was on his dad's shoulders wearing an ALO shirt and he was singing along to a bunch of our tunes.
Steve: I like to imagine the journey of the set list, what kind of experience it's going to be for us and for the audience.
Zach: I think Steve and Dan have taken a lot of the reins, maybe, on set lists. I feel like that's happened.
Dan: I tend to think in keys sometimes.
Steve: I think in keys too.
Zach: Interesting. Everybody has a different perspective. Everyone has their role that they play in the songs. It's funny how each person picks the set list because it kind of comes from their prospective. A lot of our songs will start off with piano and voice and then builds that way. Sometimes I feel like I'm playing by myself like at the beginning of every song.
Steve: I think the set list is pretty important during a show and we sometimes deviate from it. We'll tune in to the audience because sometimes they'll be shouting stuff out for us to play...we ignore it but we definitely enjoy it.
Zach: We used to be on this trip when you shouldn't have a set list. You'll just be feeling it.
Steve: That can be hard, though.
Dan: We had a thing where we'll just go around in the order of our instruments. Zach would pick a song and then I knew that the next song was going to be my pick. The whole deal was that you had to be ready. It kind of evolved because after a song we would have to have these conversations sometimes about what we wanted to play. That kind of sucked because it would kill the energy.


HGMN: What song do you enjoy most playing live?

Dan: For me it changes every night.
Zach: Sometimes it's nice when you shelve a song for a while and then you bring it back out. It feels really nice.
Dan: Like an old friend.


    

Radiohead - Live At Astoria, London DVD

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The zeal of Radiohead fans is comparable to that of the music world’s most ardent addicts. Phish, The Grateful Dead, Pink Floyd, Metallica, and Frank Zappa, to name a few, all have certain fan bases that hang on to every note, news item, and archival action as if it were their last foothold on reality. While this affliction is much more prevalent around bands that are no longer together, it’s a testament to just how special Radiohead is that they share this characteristic while, by all accounts, remaining active and writing new material. For a band like Radiohead, even the hint of a new album gets fans in a tizzy, speculating songs that will appear, release dates, producers, and the like to an obsessive degree.

Grateful Dead - Fillmore West 1969 (3 CDs)

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At Vegoose, Trey Anastasio was asked to comment on some aspect of the current jamband scene. Somewhere in his response, he clarified that, when he was growing up in suburban New Jersey, there was only one jamband—they were called the Grateful Dead. Indeed, when Anastasio was weened on the Dead, Zappa, and progressive radio rock in the mid- to late-70s, the term “jamband” would have fit the Dead pretty well. While there was a strong dose of improvisation in every performance, setlists were constructed of songs with the standard popular music formula—the Dead stepped through a door every time they left a song behind, but the songs themselves generally closed the band inside the four walls and a ceiling of verse, chorus, bridge, rhythm and melody.

Mike Gordon & Leo Kottke - Sixty Six Steps CD

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Since its release, a lot has been made of the tropical breezes blowing through Sixty Six Steps, the second collaboration between guitar guru Leo Kottke and enigmatic ex-Phish bassist Mike Gordon, but the duo’s ability to inject their own eccentricities into one of the most bastardized musical traditions on Earth is even more impressive. While a distinctly Caribbean pulse beats throughout much of the album, there is much more to this than a few grains of sand on a beach in the Bahamas.

Project Z - Lincoln Memorial CD

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Bill Bruford once told me in an interview during his last tour with Yes (for the album Union) that chamber or group free improvisation has been a tradition and joy among classically trained European musicians, and that formally scheduled open jam sessions were widely in practice during the time of "J.S. Bach" and likely long before. As jazz and rock forms in music derived from a blending of European and African musical traditions and elements—free and open improvisation from the very beginning provided a means for musicians to communicate on multiple levels simultaneously, in the absence of spoken queues or any pre-determined forms. Project Z to my ears embodies a milestone among recorded sessions of free improvisation, and in an electric setting picks up where some of the great “free" recordings of the 60s and 70s by the likes of Cecil Taylor, John Coltrane, and Anthony Braxton left off.
Today you can still feel the energy that has been captured by the Ledges over hundreds of years. It is still a meeting place, and it was once told to me that "People weave their individuality through the park, creating a beautiful tapestry of diversity, bound together with a common love.
By Micky Marotta

Micky Marotta: How did you get involved in this whole thing?

Evan Kelly:
I was a musician and working here as a life guard starting when I was 18 years old. I kept coming back every summer and became maintenance, then manager. Wen the opportunity came to buy the place out-right, I knew it was time. It had long been a dream of mine to incorporate music with the outdoors. I purchased the park in 1996 and we started having shows in 1997.

MM: What are you proudest of here at the park?

EK: I am most proud to see people leaving the camgrounds with huge smiles on their faces, blown away by the experience here. I see that alot from kids to adults. There is just so much to do here in addition to the music. Please encourage folks to check out the website: www.nlqp.com and see the photos. You can take nature walks at the state park accross the street and see the caves and ledges. You can walk through the park and see the spring fed quarry or swim in it or take scuba lessons. You can hang at the campfire, fly kites, dive off the cliff, listen to music or visit any of the vendors. The forest is especially beautiful as the leaves are starting to change and we have a lot of wildlife here.

MM: What is your favorite band to have here?

EK: All of them! I love the repeat performers like Dark Star Orchestra, The Recipe and Ekoostik Hookah, but I also really have enjoyed the folks that have only been here once. Those include Derek Trucks Band, The Meltones from Japan, Dirty Dozen Brass Band, Phil Keaggy and Glass Harp, The Waifs, Wookie Foot and Rusted Root. We have some bands that have been a couple of times like Bernie Worrell and The Woo Warriors, Carlos Jones and the Plus Band, Sam Bush Band, David Grisman Quintet, Keller Williams, Tommy Chong, Mickey Hart, Sun Ra Arkestra and so many more. I am just such a huge fan of music that I enjoy them all. There are so many bands that we want to get out here that have not been here before, and every band that has played is certainly welcome back. There are many more bands that we haven't discussed that I really enjoyed also.

MM: What is the strangest rider you have had requested?

EK: Leftover Salmon wanted new socks and underwear. (Let's just leave it at that!)

MM: What is your favorite spot here in the park?

EK: I have a couple of special places...I enjoy sitting on the cliffs and relaxing and enjoying the beautiful view. I also love to put on the scuba gear and go into the quarry. I sit on the bottom, to meditate and just chill. I guess I'm getting my space together before the show!

MM: You seem like you live off the land when you can. Can you tell us what you've got going on in the garden and on the property?

EK: Well, we grow our own vegetables and use those a lot when feeding the bands. We also have a great flower and herb garden. I have honey bees and we eat a lot of honey. This spring we are going to start tapping the trees for syrup also. We'll probably sell that locally but mostly eat it and give it away!

MM: What do you think of Clear Channel?

EK: In a way, they are a sad representation of the Amercian business culture in general. What can I say, they do what they do because the can and a lot of people in the business let it happen. They can squash a lot of smaller clubs and venues...bands don't get taken care of as well as they should in terms of money and hospitality like we do here at the park. On the other hand, they are capable of putting on some great shows with huge acts and some good music. I guess it comes down to the fact that we all have to work together. They have not squashed me yet and I am not worried they will, because we are too good at what we do here.

MM: What do you think of Home Grown Music Network?

EK: It's a wonderful organization. It has proved to be very beneficial to Nelsons Ledges Quarry Park! It's great for musicians and fans alike. I love the updates I get on the scene and we are very proud to be a part of it. I have the link to Home Grown on our web site and we are grateful to be able to promote it. It's the perfect grass roots organization to offset the "clear channel factor".

MM: What was the best show you ever saw?

EK: In 1984, I got to go the see the Grateful Dead for three nights in a row in Hampton, Virginia. It was one of the first times I got to travel to see a show and then the first time I saw multiple shows in a row. The band was on fire all three nites and the crowd had an amazing amount of energy and love going. It was incredible.

MM:
What do you expect of folks who come to the park for a festival?

EK: I want them to respect the scen and what it is there for; the music, friendship, comradery, spirituality, love of god and life and the love of outdoors. Of course, I also want them to have a great time. The energy the individual brings helps make each event great. When it all clicks, it is just amazing....recently, The Grateful Fest we had was filled with that great energy and it was incredible.

MM: I know you and your wife have two beautiful daughters but one of them has some serious health issues. Can we discuss that?

EK: Yes, my daughter Jessica has Rett Syndrome, a neurological disorder. It can best be explained by calling it a pervasive development disorder. Jessica was born in April of 1995 and was perfectly normal for over a year. In 1996 she kept getting sick and was losing some of her abilities, like she couldn't hold her bottle any more or couldn't say words she had already mastered. We took her to Rainbow Babies and Childrens Hospital and she was diagnosed correctly there. It was heartbreaking for all of us, but the Rett Syndrome Foundation gave us support and really helped out a lot with information and ideas to keep Jessica as healthy as possible. She's 10 now and can stand by herself, walk with help, but can't really talk. She is very intelligent though and loves to be read to and interact with people. She has been puzzled about why she is different, and that is a tough thing for us. She needs help 24 hours a day, but she is also a great blessing and a beautiful spirit.

MM:
This experience with Rett Syndrome got you involved with fund raising, correct?

EK: Yes, it sure did. Jessica goes to Happy Day School for kids with special needs and we started by raising money for them. Donna the Buffalo was involved with the Herd and doing fundraising so it seemed logical we should so something too. At this point we have raised over $12,000.00 for a variety of things, mostly Rett Syndrome research and support or the Happy Day School. We are very proud of the fans for putting so much money into these fundraisers.

MM: It's almost Halloween and that means it's time for Gory at the Quarry. How'd you come up with that event?

EK: Well, I've always been a great party thrower and Halloween was always a big event. This is an outgrowth of the annual party I used to have. Next year will be the 10th anniversary of this event. This year we have a lot of stuff planned and we are really looking forward to it. Folks can always check out the web site for the latest information. We have one other cold weather event too, early next year we will play broom ball on the ice and camp out. Just bring the warm clothes and it will be a blast!!!

MM: What are your hopes for the future of the park?

EK: I want to continue to do a better show than the last one...as well as preserving the natural beauty and vibe of the park that makes this the special place that it is. Our fireworks on the fourth of July get better every year, we have more sky divers every year participating in the dusk beach landing and we keep getting more and more great bands in the park. It doesn't get any better.

MM:
What words of wisdom do you have for someone that would like to open up a festival spot?

EK: People think that we make tons of money and that this is easy. It's a constant struggle, we are just starting to turn a profit. There are many years were I have lost money and it's been a strain on me and my marriage. It's always a gamble when you do something like this...look at all the venues that have come and gone, same with festivals, they happen one time and that's it! The reason we've survived is not only that fact that we put on a wonderful show but that we are blessed with this great spot: the quarry, the lush woods, the amazing history of this spot; all this and the fans have brought us to what Nelson Ledges Quarry Park is today.   
It is with our deepest regrets that we announce the cancellation of this year's Blue Ridge HarvestFest scheduled for October 7-9 in LaFayette, GA. The event was to be a benefit for hurricane relief, but a benefit that does not generate any proceeds for the intended cause doesn't benefit anyone. All HarvestFest ticket holders who purchased tickets with a credit card, whether through harvestfest.com or via phone, will be refunded the cost of the tickets automatically and will see the credit on their next statement. There is no action necessary to receive this credit. Ticket holders who purchased with a check or money order will also be refunded and will be contacted by High Sierra Music in a timely manner. Ticket holders who purchased through ticket outlets should return tickets directly to the outlet.
In our fifteen years of presenting quality music festivals, High Sierra Music has never cancelled an event and this was an extremely difficult decision for us. It was our hope that HarvestFest could recover after being hurt by last year's Hurricane Ivan. However lackluster ticket sales, exacerbated by the ripple effects of Hurricane Katrina in the region, left us with little choice but to cancel.

We deeply regret the inconvenience this causes for everyone who was eagerly anticipating this year's HarvestFest, and we sincerely apologize to our patrons, musicians, staff, vendors, volunteers, sponsors and everyone who contributed their time and energy to HarvestFest. We are committed to presenting top-notch musical experiences and hope to emerge from this unfortunate setback to present events at beautiful Cherokee Farms in the future.

The High Sierra Foundation will continue to raise money for our Katrina Fund. Donations to the fund, which will supply direct aid to New Orleans and Gulf Coast musicians affected by the storm, are being accepted at the highsierramusic.com and harvestfest.com websites.

All of us at High Sierra Music and T-Dawg's Productions thank you for your understanding and support. 

DJ Williams Projekt - Projekt Management CD

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The bands rolls from one tableaux to another during its eleven song journey, tunes and melodies tumbling over each other and sliding in and out of focus before the next passage—like most great works you can’t hear the transitions, feel the segues or see the seams—soars into the air, lifting you towards another idea, another bowl of bottomless soul. If you’ve been lucky enough to see the Projekt live, they transcend your expectations on record. Perhaps, most importantly, the band sounds like they’ve crafted a perfect set without the usual awkward filler or ill-placed sequencing. DJ Williams effortlessly glides the direction of the sonic story unfolding with restrained confidence and experienced talent. Whereas most bands have to shove their bravado in your face every five minutes with technical gymnastics, Williams allows the music to speak without losing track of the biggest fact of all: tunes need to be memorable. And they are.

The Benevento-Russo Duo - Best Reason to Buy the Sun CD

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The debate over who brought guitar distortion to popular music will probably never die, but no one can argue against its impact. Aside from Little Richard, Chuck Berry and Bo Diddley, nothing has shaped rock and roll like the noise created by a simple tear in a conical piece of fabric. Only time will tell what distortion will do for the Hammond B3 organ. What started as a one-man roller rink soundtrack has evolved into one of the most distinctive sounds in the jazz universe and has stretched the genre as much in the last ten years as any single musician.

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