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SONIC BLOOM is a 3-day camping festival that will bring music, dance, art and human performance together in an atmosphere that inspires open channels of creativity for everyone involved, especially the audience.
Together with bands like ZILLA and LOTUS, innovative DJs like Bassnectar, Bluetech and The Glitch Mob; live painters, fire performers, projection artists, dancers, costumers and especially YOU will help us all to co-create our own world of communal improvised creative process.

This year's site is incredible. It features amazing landscapes, access to vast wilderness from the top of the chair-lift, styling resort-style lodging and an intimate late-night venue. You can also expect visionary art exhibits, workshops, sculpture, fire performances, food vending (including vegetarian and vegan options), a variety of restaurants, craft vending, amazing outdoor recreation and a damn good dance party. We encourage people to bring costumes and the giving of small gifts to fellow festivarians. Come up to the high country for what will be an experience sure to move your body and your mind.

The musical line-up:

ZILLA

Bassnectar

LOTUS

Praang (feat. Steve Kimock, Janover, Travis & Hann)

The Glitch Mob (Ooah, edit, Boreta & Kraddy)

EOTO

Heavyweight Dub Champion

Bluetech

Vibesquad

The Motet Trio

SPORQUE

Rena Jones

David Starfire

ediT (live PA set)

and many more plus...

The Sonic Bloom Rebel Alliance Orchestra (feat. Steve Kimock and members of ZILLA, EOTO, Heavyweight Dub Champion & more)

Also: Bela Fleck & Keller Williams get extra sets!
The 2nd Annual Asheville Music Jamboree has just announced a handful of artist additions to their already diverse line-up featuring National touring heavy-hitters, Gov't Mule to Grammy Award Winning roots reggae pioneer, Burning Spear and some of the southeast's top regional talent. AmJam will run as scheduled Memorial Day Weekend, May 23-25, 2008. Stage schedules are available here.

In addition to over 30 musical acts on two stages, AmJam plans to entertain its guest through an assortment of activities including workshops, drum circles, parades, swimmng, outdoor contests, intimate campground performances, a craft village and festival-style fine dining. AmJam extends invitations to families (young children included) with open arms and will provide a number of family friendly events such as the Kid's Parade and the Children's Universe activity center. Habitat for Humanity will be in attendance along with HeadCount, a non-profit connecting potential voters through live music and events.

AmJam's mission is to create an event that mirrors the true spirit of Asheville with its picturesque scenery, unbridled talent and limitless hospitality, which has captured the hearts of poets, painters, princes and paupers! People have been drawn to Deerfields from across the map, sharing their talents and ideas to create a cultural tapestry that is enormously rich in diversity and unrivaled beauty.

The Deerfield's Amphitheater is located 20 minutes south of Asheville in the Mills River Community. The 940-acre family-owned tract of uninhabited wilderness offers camping, swimming and hiking. Tent camping will be plentiful, with a secluded family campground set aside. Car camping and RV passes are also available at an additional cost. Only 3,000 tickets will be sold to this year's AmJam. Tickets are currently on sale, with an allotment of Early Birds available at $125 for a limited time. After the Early Bird sale, tickets will be $140 in advance or $160 at the gate. Kids 13 and under are free and teens (13-16) can purchase tickets at half off.

Final Confirmed Line-Up:
Gov't Mule
Burning Spear
Keller and the Keels
Larry Keel and McMurry Farms
Keller Williams Solo
Ivan Neville's Dumpstaphunk
James McMurtry
the Lee Boys
Abigail Washburn and the Sparrow Quartet featuring Bela Fleck
BoomBox
RAQ
Jeff Sipe Trio ft. Jeff Coffin
Jason Isbell Band
the Afromotive
Barrel House Mamas
Josh Phillips Folk Festival
Laura Reed and Deep Pocket
Outformation
Shannon Whitworth and the Refugees w/Jeff Sipe
Jaime McLean Band
The Kellin Watson Band
Jesse Chong Band
Delicious
Grogus
Bloodkin
Ralph Roddenberry Band
New Familiars
Telepath
the Shane Pruitt Band
Evergreen School
Shining Rock
Kerosene Willy

www.AMJAM.net

Scythian - Immigrant Road Show

Scythian brings first-generation authenticity to their unique hodgepodge of Irish, Celtic, klezmer, and gypsy influences.
The 13th annual Gathering of the Vibes has announced the a bunch of new artists including Mike Gordon, Taj Mahal Trio, Kreutzmann/Burbridge/Murawski, American Babies, David Gans and MC Wavy Gravy.

The four-day festival takes place at Seaside Park in Bridgeport, CT, July 31 through August 3, 2008.

The confirmed lineup so far:Phil Lesh & Friends
The Neville Brothers
Mike Gordon
Taj Mahal Trio
Derek Trucks & Susan Tedeschi Soul Stew Revival
Kreutzmann/Burbridge/Murawski
Jackie Greene Band
Dark Star Orchestra
Zappa Plays Zappa
American Babies
Sam Bush Band
Assembly of Dust
Ryan Montbleau
NRPS
Deep Banana Blackout
Porter Batiste & Stoltz
King For A Day
Donna Jean & The Tricksters
Strangefolk
David Gans
MC Wavy Gravy
More artist to be announced soon.

Prior to moe.'s headlining performance at the Highline Ballroom on June 16th, the band will perform an intimate 30-minute acoustic set at the Highline for 100 fans, as a benefit for the voter registration organization HeadCount.

moe. has donated the 100 tickets for this special event to HeadCount. The charity tickets will go on sale Tuesday, May 13th at 12pm through Ticketweb for $40 and DO INCLUDE admission to the regular moe. performance that evening. Doors for the acoustic set will open at 6:00 PM. The funds raised through this acoustic performance will be dedicated to registering voters at upcoming moe. concerts this summer. For more information on HeadCount, go to www.HeadCount.org. 

Conscious Alliance and Whole Foods Market® announce a new partnership in an effort to fight America's hunger crisis, whereby Whole Foods Market® will donate more than 500,000 pounds of natural and organic food products to the Colorado-based not-for-profit.

This new collaboration will be showcased at the ROTHBURY Festival over 4th of July weekend with an unprecedented attempt to set the Guinness World Record for "largest canned food sculpture." Architect John Brittingham, Director of the Graduate Architecture Program at Montana State University, will design and construct the hopeful world-record breaking sculpture which will be on display throughout the four day festival.

The "Conscious CanSculpture" will help draw attention to the relationship between hunger and the environment and will also generate approximately 40,000 additional cans of food (specifically, 8 varieties of "all natural beans") to be donated to the local Rothbury, MI community as part of the ROTHBURY Food Drive hosted by Conscious Alliance. ROTHBURY's open forum for discussion on environmental and social issues and dedication to giving back to the community makes this event an ideal locale for such a unique and influential endeavor.

"As a company that has long believed in the benefits of natural and organic food products and the importance of giving back to the local community, we are pleased to partner with another like-minded organization such as Conscious Alliance to increase the positive impact of our efforts," said a Whole Foods Market(r) spokesperson.

Conscious Alliance, who began their mission of delivering food relief to impoverished U.S. Indian Reservations and fighting hunger in America by hosting food drives at concerts, is the ideal organizer for the ROTHBURY Food Drive and CanSculpture initiative. This "artistic expression with a purpose" will encourage festival attendees to donate food items to the ROTHBURY Food Drive which will directly benefit the Muskegon, MI Shiloh Tabernacle grocery relief program and the Word of Life PPHC Food Distribution Center of Oceana County, MI.

Attendees who donate 10 non-perishable food items to the ROTHBURY Food Drive will be given a limited edition ROTHBURY/Conscious Alliance rock art poster by rock artist Jeff Wood. Fans who donate 20 or more non-perishable food items will receive the same free poster in 3-D. There will be a drop off point located at the festival entrance where donations will be collected.

On July 4th weekend 2008, ROTHBURY emerges as a new American celebration. Hosted at the one-of-a-kind Double JJ Ranch in Rothbury, Michigan on July 3- 6, 2008, the four day, environmentally sustainable music and camping festival promises to be an inspiring cultural assembly. This celebration of music, art, and action will harness the unique energy of the live music community into a durable social movement toward an important cause: Climate Change and Clean Energy Alternatives. In addition to a diverse and stellar lineup of bands including Dave Matthews Band, Widespread Panic, John Mayer, 311, Phil Lesh and Friends, Primus, Thievery Corporation, Snoop Dogg, Modest Mouse, Michael Franti and Spearhead, Gov't Mule, Slightly Stoopid, STS9, Colbie Caillat, Rodrigo y Gabriela and many, many others, ROTHBURY will host an Energy Fair and an Environmental Think Tank featuring curator Dr. Stephen Schneider. With over 70 bands on 8 stages and unprecedented efforts to make a large scale event green, ROTHBURY is truly a "Party with a Purpose." For more information on ROTHBURY, visit www.rothburyfestival.com.

For more information about the Conscious Alliance and Whole Foods Market partnership, visit www.consciousalliance.org

Lee Crumpton, founder of the Home Grown Music Network and co-founder of Harmonized Records, won the Grahamy Jammy at this year's The Jammys Awards.

 

The following is a complete list of winners at the 7th Jammy Awards:

Live Album of the Year: Umphrey's McGee, Live at the Murat

New Groove of the Year: Cornmeal

DVD of the Year: Disco Biscuits, Progressions

Download of the Year: Phish, “Headphones Jam”

Mimi Fishman Award:Rock the Earth

Song of the Year: Keller Williams, "Cadillac"

Tour of the Year: the Disco Biscuits/Umphrey's McGee, D.U.M.B

Grahmmy Jammy: Lee Crumpton, Homegrown Music Network

Archival Release of the Year: The Grateful Dead, Three From The Vault

Studio Album of the Year: moe., The Conch

 

 

Live Performance of the Year: Gov't Mule and Guests, Bonnaroo

 

 

Lifetime Achievement Award: PHISH

LeeKWChevyWeb

Lee Crumpton, Keller Williams & Chevy Chase backstage shortly after Lee received the Jammy.

- Photo by Brett Wilson

Get your copy here at HGMN! While Russian Circles are picking up where they left off with Enter, Station is guaranteed to be a new passage for a band already known for paving their own unique paths of sonic tundra’s that jolt the mind and body and will not only leave it’s mark on 2008 but on the future influence of music as a whole.
    Indie instrumental rock builds orchestral melodic passages into bombastic climaxes, laden with crashing cymbals and feedback. The release should be your soundtrack when you're deep in thought. The music is huge, and it's hard not to think big as a result. - Men's Healthrussian_circles

  Russian Circles could have made things a lot easier on themselves. They could have followed in the footsteps of 2006's Enter and made a predictable instru-metal album that would cause fans of bands like Pelican and Isis to cream their jeans. Instead, the Chicago act have crafted an extremely diverse album that tempers headband-worthy rock riffs with shimmering guitar lines, setting Russian Circles apart from their peers. - Alternative Press (4 out of 5 stars)

    Chicago's Russian Circles purvey a kind of nu arena rock that takes all that "tasty" '70s twin-lead-guitar huffapuffa (clean in one channel, riffarama-mama woolly mammoth in the other) and the stretches stuff out, way out, into long-ass tales from the creepy crypt that go through innumerable changes in direction and tone. - LA Weekly

      Drummer Dave Turncrantz sets a militant tribal groove, while newly recruited bassist Brian Cook (of These Arms Are Snakes) drops anchor with a forbidding, slightly overdriven drone. That lets guitarist Mike Sullivan plot out slow post-rock builds, clicky headphone-panning arpeggios, and thrashing metal chugs overhead. - Pitchforkmedia.com

    Musically I have no comparison for it, that would be too easy but in ideology they are there with Neurosis, Tool, The Swans, Genghis Tron, Pelican, Jesu, Isis and bands that construct whole albums that need to be heard from first song to last and that allow you enough freedom to post your own emotional identity on what they do. - Iann Robinson / NoneLouder.com

  The proverbial wind that is always gusting from Chicago never seems to cease but in terms of its most promising musical exports, that breeze proves to be a piercing and chilling gale of heaving guitars and spacey resonance.

   Formed in the Windy City in 2004, Russian Circles were born and from the beginning it was their concoction of metal trimmings, minimal jazz primers, and cryptic riffs that hit the scene out of nowhere with the pummeling impact of a rouge comet crashing in from the skies. Their music weaves up an intense and cinematic albeit soothing clobbering that cannot be put into words but instead into forms of audible head trips that defies pigeonholing. "There is so much categorization out there" notes guitarist Mike Sullivan. "I think our sound is just too broad to be labeled as any sort of sub-genre".

   Their self titled and self released EP from 2005 sold out shortly after their initial pressings. It wasn't long before their 2006 debut long player, Enter, dropped with a booming impact and saw them sharing the stage with the likes of Tool, Dalek, Daughters and Pelican. Aside from their coinciding performance at that year's annual South by Southwest industry showcase, which managed to drop jaws all over the Live Music Capital of the World, Russian Circles have managed to progress forward with a newfangled approach toward their live performances. Their lumbering layers of chiseled post rock and feathery psychedelic infusions have both revved and enticed the listeners into mental orgasms the world over.


    Station, was recorded at Seattle's Studio Litho with producer Matt Bayles (Mastodon, Minus the Bear and Isis.) When asked about the recording process Sullivan cites Bayles as a driving force behind the album's precise synergy. "He's intense in the studio but in a good way". Joining Sullivan and Dave Turncrantz (Drums) on the recording was These Arms are Snakes/ Botch bassist Brian Cook with Morgan Henderson of The Blood Brothers also lending his skills on double bass to the track "Xavii."

If one aspect remained a summit that the band had scaled, it was making sure that the sequencing was spot on to give Station an "album feel" making it suitable for a cohesive listen from beginning to end.

        Russian Circles Live!
May-10 Chicago, IL Subterranean (Record Release Show w/ Call Me Lightning!)

w/ Daughters!poster
Jun-03 Iowa City IA Picador
Jun-04 St Louis MO Bluebird Theater
Jun-05 Kansas City MO The Riot Room
Jun-06 Denver CO Marquis
Jun-07 Salt Lake City UT Burt's Tiki Lounge
Jun-08 Boise ID Neurolux
Jun-09 Seattle WA Neumos
Jun-10 Portland OR Doug Fir Lounge
Jun-11 Chico CA Cafe Coda
Jun-12 San Francisco CA Slims
Jun-14 Pomona CA The Glasshouse
Jun-15 Los Angeles CA Troubadour
Jun-16 San Diego CA The Casbah
Jun-18 Phoenix AZ The Clubhouse
Jun-20 Austin TX Red 7
Jun-21 Ft Worth TX Lolas
Jun-22 Houston TX Rudyards
Jun-23 Baton Rouge LA Spanish Moon
Jun-24 Birmingham AL Bottle Tree
Jun-25 Atlanta GA The Drunken Unicorn
Jun-26 Chapel Hill NC Local 506
Jun-27 Wilmington DE Harmony Grange
Jun-28 Cambridge MA Middle East Upstairs
Jun-29 Brooklyn NY Music Hall of Williamsburg
Jun-30 Baltimore MD The Ottobar
Jul-01 Buffalo NY Mohawk Place
Jul-02 Detroit MI Magic Stick (*no Daughters )



For more information, visit:
www.myspace.com/russiancircles
www.suicidesqueeze.net
www.homegrownmusic.net

Sound Tribe Sector 9 hits the road this summer in support of a soon to be released studio album "Peaceblaster".

The summer will culminate with two huge headlining shows at Red Rocks Amphitheatre.   Their western itinerary also offers two intimate, always popular "Fan Club" shows in San Francisco, CA and Boulder, CO.

All shows on-sale now at www.sts9.comand on-sale locally through TicketMaster at www.ticketmaster.combeginning May 3rd, 2008.

For the month of July, touring heavyweights STS9 and Umphrey's McGee team up for what promises to be one of the hardest-hitting tours of the summer. This co-bill will feature extended sets by both bands, and will stop in Midwest and east coast cities throughout the month of July.  Look, also, for very special late night sets by each band in select markets, including Philadelphia, Raleigh, Madison, Chicago, and NYC.

STS9 (Sound Tribe Sector 9) and Umphrey's McGee tour stops in the following cities:

July 10 Willow Island Centre Madison WI
July 10 Barrymore Theatre  Madison, WI (STS9 AFTER PARTY)
July 11 Live on the Levee St. Louis MO  FREE SHOW!
July 12 Westfair Amphitheatre Omaha NE
July 15 Moonlite Gardens Cincinnati OH
July 16 Innsbrook Pavilion Glen Allen VA
July 17 Promowest Pavilion Columbus OH
July 18 White River Lawn Indianapolis IN
July 19 Charter One Pavilion Chicago IL
July 19 House of Blues Chicago IL (STS9 AFTER PARTY)
July 23 Higher Ground  Burlington VT (STS9 Only)
July 24 Roseland Ballroom New York NY
July 24 Blender at Gramercy New York NY (STS9 AFTER PARTY)
July 25 Festival Pier at Penn's Landing Philadelphia PA
July 25 Fillmore at TLA Philadelphia PA (UMPHREY'S AFTER PARTY)
July 26 Bank of America Pavilion Boston MA
July 27 Pier 6 Concert Pavilion Baltimore MD
July 30 House of Blues Myrtle Beach SC
July 31 Koka Booth Amphitheatre Cary NC
July 31 Lincoln Square Theatre  Raleigh NC (UMPHREY'S AFTER PARTY)
August 01-August 02 Masquerade Music Park Atlanta GA

August 15 The Independent San Francisco, CA (fan club show)
August 16 The Greek Theatre Berkeley, CA with two special guests TBA
August 22 McMenamin's Edgefield Portland, OR with special guests Blackalicious
August 23 Marymoor Amphitheatre Seattle, WA with special guests Blackalicious
September 04 Boulder Theatre Boulder, CO (fan club show)
September 05 Red Rocks Amphitheatre Morrison, CO with special guests Talib Kweli and others TBA
September 06 Red Rocks Amphitheatre Morrison, CO with special guests Ghostland Observatory and Bassnectar    

Dubbed "...one of the country's most intriguing, innovative outfits around" by XLR8R Magazine, STS9 steps out this summer armed with their brand-new, highly anticipated studio album,peaceblaster.To be released in summer 2008 on their own label 1320 Records ( www.1320records.com), the new album will feature never-before heard tracks that artfully mirror the intensity of STS9's live shows, while preserving the musical intricacies of past studio albums that critics and fans have touted. peaceblastercomes nearly three years after their acclaimed 2005 releases, Artifact & Artifact: Perspectives, both of which were named in iTunes list of top albums of the year.   After a flurry of industry attention, STS9 retreated from the limelight to do what they love most: play music. On the touring front, STS9 reached number 29 on Pollstar Magazine's "PULSE Charts" of the country's top touring artists. The band has shared the stage with a diverse range of acts including Jurassic 5, Tortoise, Digable Planets, RJD2, De La Soul, The Brazilian Girls, Prefuse 73, John Butler Trio, Blackalicious, G. Love & Special Sauce, Saul Williams, Soulive, Cut Chemist, Xavier Rudd and many others, and has played such festivals as Austin City Limits Festival, Lollapalooza, Bonnaroo, Winter Music Conference, and Vegoose Festival.  Recently, the band sold out a 4 night headlining run at Atlanta's Tabernacle, and a 2 night run at Denver's Fillmore Auditorium.

www.sts9.com

With their first official CD “A Buzz, Buzz’ due to be released April 29, 2008, the four talented and musically astute gentleman of the folky, unique group, Bombadil, had quite a bit to say in regards to their history, their music making, their current goings on and the album itself. The band, comprising of Stuart Robinson, Bryan Rahija, James Phillips and Daniel Michalak, are musical troubadours who proved to be quite the conversationalists, full of stories as we chatted via phone for a while in regards to all things “Bombadil.”
 
By
Jennifer Harp


HGMN:  Let's begin with some personal history from each of you.  Why don't you each tell me how you got started in music.bomba6

James:  I'll start.  I remember by the time I was two I had worn out a copy of "Born In The USA."  My sister and I would run around in circles when listening to that album.  I started playing recorder in the first grade, clarinet in the third grade and drum set in the seventh grade.  

HGMN:  Now for Bombadil you play..

James:  Drum set and recorder.

HGMN: Stuart..your beginnings?

Stuart:  I play keyboard and...what did you want to know, how we started out?

HGMN: Yes, how old were you, your first instrument, that sort of thing.

Stuart:  Well, we had a piano around the house that I always banged around on.  Then when I was five, my parents decided to sign me up for lessons with that.  I decided I liked it and that was pretty much it.

HGMN:  For Bombadil you play mostly keyboards?

Stuart: 
Well, I'm trying to learn a little guitar from Bryan, but not really.  (laughter)  I played trumpet for my middle school band, too and do that some now along with the keyboarding. 

Bryan: 
I'll tell you my story next, Jen.

HGMN:
  All right.

bombismilesBryan:  I started playing guitar when I was 12, probably.   I listened to a lot of Led Zeppelin and my friend's little brother went to a guitar camp where he sat around with a bunch of old guys and learned Robert Johnson and Mississippi John Hurt and I thought that sounded pretty cool.  So, I started going to the camp with him and started learning like old time bee-bop, and that was really what I cut my teeth on, so to speak  (laughs)

HGMN:  And, now, you play..

Bryan:  Mostly guitar, but I also do some bass and various other things.

HGMN:  Instrumentally, it seems as if you guys all seem to feed off of each other.  This is obvious mostly in your live performances.

Bryan:  Yeah, I think so.  I get really jealous of James, playing the drums.  (laughter)  So, yeah, we do learn from each other.

HGMN:  Okay, Daniel.

Daniel:  I'll go last.  (laughs)  Where do I begin?  Ummm...I've always liked music.  I played guitar all throughout high school.  I played bass, too, sometimes with the band.  But I mainly play guitar. 

HGMN:  Tell me about the history of Bombadil.  Also, the conception of the band name.

Daniel:  Sure.  The name of our band comes from a character in "The Lord of the Rings" trilogy; Tom Bombadil.  He appeared in one chapter and you never hear about him again.  bomba2

HGMN:  Why did you chose to use that character's name for your band?

Daniel:  I'll have to check our fact sheet,  (laughs) but...no, it sounds good.  This character lives in the woods with his wife.  He appears to help save people from being eaten by trees.  I talked about it with the manager we had at the time and mentioned that we play the kind of music that Tom Bombadil would play.  So, we like the word 'Bombadil' and after thinking about it for a second it kind of stuck.  As for the beginning of the band, well, at first there were a lot of twists and turns.  We started with me and my brother, John, who was the drummer for the band first, and plays drums on the upcoming album.  As for Stuart and Bryan, we all met each other our junior year.  We all started playing music together and then my brother left.  We started searching on Craig's List for a drummer and fortunately found James. 

HGMN:  Each song you have is reminiscent of a good story.  Do you plan for the songs to come out in this style?  You guys are like the bards from the days of old.

Bryan:  Ummm...I guess in a lot of ways we are trying to do 'folk' music.  Storytelling is a really important part of folk music.  It's important to have a reason to sing and have something that you want to share, or tell, with or to your audience.  More often than not, they really don't want to hear about 'you'.  I think other people are more interested in things that you've seen or experienced.  So, yeah, I think that storytelling is a good way to meet the audience half-way.  Telling stories is defiantly something that we try to do. 

HGMN:  Now, do one of you do most of the music writing or is it more of a collaborative effort?

Bryan:  There's a lot of collaborating.  Mostly, me, Stuart and Daniel, we come to the table with an idea, or a bit of a song.  They can be in various stages of completion and we all work on it from that point.  Sometimes, we do what we're told and sometimes we give each other ideas on how to complete it. 

HGMN:  Your band is signed with the label Ramsuer Records.  How did that come about?

Stuart:  We met Dolph Ramseur after playing with The Avett Brothers, about two and a half years ago, at UNC-Chapel Hill.  We opened for them and Dolph really liked the sound we made.  He came up and talked with us and we sort of bonded with him.  He is an asset, that's for sure.  We thank our lucky stars every day.

HGMN:  Your tour schedule is becoming quite full, which is good.  Tell me about your van problems that you've had recently. 

James:  We had a lot of car problems!!  (laughter)  Our old van really did not like the state of West Virginia.  We were a little disappointed with the van.  It quit both times we went to West Virginia.  The first time was actually the first time I had ever driven the van.  I was driving it up the side of the mountain and I tried to rev it up to get over the top and something went 'pop' and green smoke started coming out of the van everywhere.  We had blown Bomba3out the heater core.  (laughs)  Well, actually I had blown out the heater core.  (laughs)  Fortunately we found a really nice mechanic and he routed some things around the heater core, so then we didn't have heat any more.  Which was pretty terrible.  This was in the beginning of winter, in October.  So, when it quit the second time, we just gave up on it and got another one. 

HGMN:  Tell me about what you all do to pass the huge amount of time you spend driving from show to show.

James:  As for what we do in the van...well, everyone but Stuart reads.  Stuart doesn't really like to improve his mind at all!  (laughter)  We've also been memorizing the capitals of Africa.

HGMN:  Really?!  Why?

James:  Drop one on us.

HGMN:  (laughs) I have no idea...um..Zimbabwe, that's in Africa.

Daniel:  The capitol is Harare.

HGMN:  I'll check on that and email you if you're right or not.  (laughter)

James:  This is actually going to be a song.  Our new song is about Kuala Lampur.  Now what country is that the capital of, Jen?  (laughter)

HGMN:  (laughing)  I have no idea...somewhere in Africa I imagine..(laughing)

James:  It is the capital of Maylasia.

HGMN:
Thanks for clarifying that.  (laughter)

James:  We also pick up a lot of records from people we play with, so we'll listen to the records and talk about what we like, what we hear.  We have a lot of really random conversations. 

Daniel:  We all have very specific positions in the van, too. 

HGMN:  So, certain people sit in certain places and have certain responsibilities?

Bryan:  It's sort of like, depending on where you are sitting in the van you have a different role.  The driver is obviously the driver, the person in the captain's chair, we don't call them the 'navigator' we call them the "executioner".  The executioner's job is to make decisions and make sure the driver executes them.  Different executioner's have different styles, depending on who it is.  (laughter)  Then, in the back, there is the 'strategy team."  And the strategy team's job is to confer and issue strategy reports that are commissioned by the executioner, based on the results of their report. 

HGMN:  I see.  It sounds almost like a military operation.bomba4

Stuart:  We run a tight ship, Jen.  (laughter)  Another job of the strategy team is to rubber neck.  To fill in the driver of everything they see.  Lot's of information gathering.  (laughing)

HGMN:  What is the strangest thing that has ever happened to you guys at a live performance?

James:  I've only been in Bombadil for only twenty-five percent of the shows so far, but in December we played in Winston-Salem, NC, at The Garage.  It was, you know, a normal crowd.  The show was going fine. You know, fine, but not great. Then, all of a sudden, about half way through, about thirty people, dressed head to toe as Santa Claus's poured into the venue.  I think they'd all had a fair amount to drink by the time they go there.  (laughter)  They were very happy.  They were very, very much enjoying the band.  (laughter)  They stood right at the center front of the stage, dancing around.   Dolph Ramseur was actually at the show and he said that no one would ever believe him when he told them this story.  (laughter)  They were throwing Santa Claus hats at us, yelling and carrying on.  Insane.  That's pretty unusual. 

HGMN:  Did this all throw you guys off?  I mean, did you just crack up?

James:  It was okay.  It was like, they were really into it. 

HGMN: Let's talk about your upcoming new release, due out April 29th, "A Buzz, Buzz'.  Do you guys each have a favorite track?

Daniel:  Picking a favorite song...well, that's kind of like choosing a favorite child or something.  (laughs)  I think some came out better than others.  I think that for different reasons we all like different tracks.  It's hard to pick one. 

HGMN:  How long did it take to complete the recording.

Bryan:  The first time we went to record was in Janurary of 2007.  The last time we went to record was in November.  We were probably finished with the master in December.  So, I guess you could say it took almost a twelve month period.  And it was hard, juggling our jobs and our tour schedule with the recording, so it just took a long, long time.  We were sort of new at it and there were some challenges with the recording process. 

HGMN:  Well, your style of music and how you guys play is not very, well, "traditional".

Bryan:  Yeah, we really pushed his softward to its limits.   One of the biggest challenges in recording this record was getting a piano.  That was kind of a daunting task.  The studio we used did not have a piano.  The studio was in this guy's home.  So, he kept offering me this great, like, software package, where he said he could give me what a grand piano would sound like in an auditorium.  We were like, "no, no, no..we really insist on using a real piano."  So, we got on Craig's List and eventually found one in Clayton, NC, about an hour away.  Went out, rented a Uhaul, drove it in...drug it in the house six hours later, sweating in the snow.  (laughter)  We finally managed to get it in the house and tried to tune it.  A few of the strings had broke and that kind of thing, so we just gave up on it.  What we finally decided to do was to take the engineering recording equipment off site and recording where a good  piano was.  This ended up working good, it was just a challenge every time we wanted to record we had to pack up all the equipment and go.  It was challenging.  Oh, and our first engineer ended up leaving for Italy after nine months.  We just couldn't get everything down, how we liked it in time.  So, we had some complications. 

HGMN:  So, with the new CD coming out the end of April, your tour is extending into the fall, right?

Bryan:  I don't know about the word "touring."  We look at it as more of just going in to work, I guess. (laughs)  I mean, we are trying to play as many shows as we possibly can.  Hopefully the shows keep coming in and we'll keep on driving.  We do have kind of a big 'tour' in June.  We are going out to the North West.  We are tapping that tour off with a show at Bonnaroo, which is really exciting. 
                                                         
bomba5Exciting is the right term for the current goings on of the group Bombadil.  They are indeed quite the bards of old, in a sense, telling stories of their own experiences with each song they perform.  The group of four put on a fantastic live show, incorporating audience participation with much glee, interchanging instruments with each other and wearing signature items of clothing, such as suspenders, sweater vests and various types of hats.  The live performances of Bombadil are most worthy of catching when and wherever one can.

April 29, 2008 heralds the release of their much anticipated studio album, "A Buzz, Buzz."  You can order the new CD, check out the band, their tour schedule and a bit of their music via  the following links:

http://www.myspace.com/bombadil
www.ramseurrecords.net
www.homegrownmusic.net

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