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Don’t let the strange name fool you; Quactus is a serious band with some serious skills. With an upcoming tour and a sophomore album in the works these guys are ready to blow some minds, Quactus style.

Interview by Chris Robie

Photos: Keith Berson

Seth Gordon: Guitar
Matthew McDuffee: Drums
Gabriel Weiner: Guitar
Greg Zachan: Bass


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HGMN: What has Quactus been up to these days?

Seth: We have been playing gigs, writing and working on new material and covers, and recording and mixing our second album.  When we first started playing shows, they were small shows out here in LA, but now we are on to that "next step" of playing bigger shows and festivals, both in California and in neighboring states as well.  We just played the Phamily Reunion Festival last week in Colorado, and a few months earlier we had a small tour through California, Arizona and Colorado.  We really enjoy playing in new cities, so we are really excited to travel even though it's hard work.

Greg:  Being in the "Jam Band" genre, means we always have to be on our toes when it comes to musicianship.  The audiences that we cater too are fans of Umphreys, Phish, The Dead, Govt Mule ect ... and those bands set the bar pretty high when it comes musicianship.  There is no time for relaxing!!  When I'm not in the studio, or at my day job, my bass is rarely out of my hands!  Ask Duffy!

quactus4HGMN: What are your day jobs?

Greg: I work for a marketing company who does advertising promotions for car dealerships across the country.  Business man by day, musician by night.  I like to think of myself as some sort of super hero, but we'll let the readers decide!

Gabriel: I'm a guitar instructor by day. I teach privately, and also for a nationally recognized music chain.

Seth: I am an elementary school music teacher.  It's very entertaining.  One minute, I might be explaining basic music theory, and the next minute one of my students could disrupt the whole lesson to make a fart joke.  There is no way to truly plan for a lesson with elementary school students, but that makes it interesting.

Matthew: I am an acoustical engineer by day; basically a giant audio and sound geek that optimizes the acoustics of studios and performance halls, designs noise control for the environment (transportation sources) and within buildings, and deals in ground borne and structural vibration.  It sounds really cool, but in practice it is way too much math and writing sometimes.

Greg: Getting out on the road and playing festivals has definitely been exciting for us. Our name is getting out there, and we're making new friends and fans.  We seem to be getting a good response when in new towns, and that makes life on the road pretty fuckin' fun and worth the tough travels ...we've also recently had a few interviews with interested management, but have yet to find the right fit.  It's not easy finding people with similar interests, goals and dedication. All and all - things are going well for Quactus!
  
Matthew:  2009 has been a really fun year for us; we played quite a few festivals this quactus5summer, opened for a lot of great bands (Most notably for me was New Master Sounds - Those guys can lay down some serious funk!), and have really been savoring getting out and doing what we love to do, play live music on the road.  We toured to Colorado twice this year and met a lot of really good people during our travels, stayed in some great places full of hospitality, and a few hotels that seemed to be grossing out the roaches on the floor.
A few interesting notes about Colorado: Some of our band members cannot seem to bring the proper "shoes for the season" regardless of what time of year it is there.  I always end up on a portable air-mattress that deflates every night; it does not matter where the air-mattress is from or who owns it, I always get the flat one.  I bought a brand new one on the way last time for our camping run at Phamily Reunion and even my brand new mattress leaked all of its air out the first night.  One could say in Colorado I cannot seem to "keep it up" with all my limp mattress problems.

HGMN: Who's wearing sandals in Colorado during the winter time?

Greg: ok, you got me... I looked at the weather report, I swear!  I saw sunny skies ... it was April! That's spring where I come from!  I caught lots of shit for this one.  So, I highly recommend, when traveling to areas that have a tendency to "snow," pack more than sandals, just in case!

Matthew: We also have had some really great trips down to San Diego, the fans in San Diego and Arizona really know how to bring it out and make a band feel loved.

HGMN: Are you guys planning an east coast tour anytime soon?

Gabriel: We hope to be doing that after the next album is done. So probably some time next year. Since we all still work, finding the right time can be tricky, but we will make it happen.

Matthew: We spent a few months placing very highly on the Jambands.com radio charts.  We also did well on the Homegrown Music radio charts and have placed in the top sellers list on homegrown a few times.  Our Debut album appears to be reaching the end of its glory days, so it is a good thing we have the sophomore album underway, hopefully to be released in early 2010. As always we are hard at work writing new tunes, learning new covers, practicing hand signals, and thinking of creative ways to sew our songs together in our set lists.  Other than that we have been working hard on the business end of promoting and making contacts. 

HGMN: When will the new album be ready? Will this be all new material or have you already been playing the songs at live shows?

Gabriel: We're planning to have it ready around the end of the year, or early next year. It will be a mix of material that we've been playing for years at live shows, along with some newer ones that have started becoming regular staples of our live sets.

HGMN:  How would you describe your music?

Seth: That's a tough question.  One of the things I like most about Quactus is that all four of us have such different inspirations and musical tastes. 

HGMN:
What are your musical tastes?

Gabriel: Mine are very eclectic. I can go from listening to a Beethoven symphony to some progressive metal a la Dream Theater to classic soul or funk, or some flat picking bluegrass or instrumental guitar virtuoso stuff to a heavy raga performance by Ravi Shankar to some Coltrane, Miles, Scofield, or Charlie Parker. So I'm really all over the place. Overall, the music I dig the most has to be musically interesting or in some way inspiring.

quactus6Matthew: That is a dangerous question to ask me, how much time do we have?  As a child I was raised on the Grateful Dead, Led Zeppelin, and Crosby Stills Nash, and Young, the Rolling Stones, Andres Segovia, John McLaughlin, and tons of symphonic music.  My parents regularly took me to see the Chicago Symphony Orchestra which was a real treat.  During middle school and high school I went through a very big hard rock, punk, and metal phase, bands that come to mind are Metallica, Sepultura, and the Misfits.  Chicago had a bustling industrial scene so I was into bands such as Ministry and Front line Assembly.  College was where I discovered Bitches Brew by Miles Davis, which led to a huge appreciation of all things jazz and fusion.  From there I decided I would listen to as much music as possible from all the available genres.  The more diverse your tastes, the more open minded you become to other cultures and artistic impressions.  The "Number One" hands down greatest band of all time is: Pink Floyd.  These days I listen to a lot of Phish, Ween, MMW, The Meters, Burning Spear, Meshuggah, SCI, Weather Report, Fugazi, Dead Kennedys, I should stop there this could go on forever.

Greg: I think we all have a very eclectic ear for music.  But, I will say, I am the only one with the hip hop back ground! I still love early 90's rap!  I had my music on shuffle driving around the other day, and I went from bumping some old school Too Short to singing bluegrass with Keller Williams.

Seth: My favorite band of all time is Phish, and they definitely inspired me to start a "jam band," because I love the flexibility in the songwriting and the live shows.  Musically though, my taste is all over the map.  My other favorite bands are Pink Floyd, The Beatles, Guns N' Roses, The Velvet Underground, Ben Folds, Eve 6, Weezer and Cake.  They all inspire me for different reasons, whether it is for musicality, lyrics, or energy. 
One thing we all agreed on when we started this band was that we are all open to trying any type of musical idea that someone has for the band, and because of that, our sound is really eclectic.  Ultimately, we are a rock-jam band, but there is a lot more to the music than that.  We have songs that are hard rock, progressive, psychedelic, punk, reggae, dance, pop, funk and metal.  We even have a bunch with Latin and Indian textures to them, so it's really hard to categorize our music.  The one thing I will say is that we are really proud of the songwriting.  A lot of thought goes into these songs when we write them, and we hope they are songs that will entertain those who like more complex compositions, as well as those who just want to dance and have a good time.  We're having fun when we are jamming, so we hope the crowd has fun too.


Greg:  Like Seth said, this is a tough question because we don't fit under one specific genre.  I also hate having to compare our sound to other bands just to describe our style of music. We all have such different backgrounds with respect to "taste" in music, yet we all approach music in very similar way, which is what I believe gives us such an eclectic sound.  We have 3 different song writers, a solid rhythm section, we all sing, and we have the soon to be Dr. Gabriel on guitar! 

HGMN: Dr?

Gabriel: Yeah, pretty soon you can call me that. (Laughs) I'm working on my PhD in Historical Musicology at the University of Southern California. My thesis deals with Indian classical music and jazz, as played by Indians in India. I was fortunate enough to spend 6 months conducting research in India for my thesis awhile back.

HGMN: Who does the majority of the songwriting?

Gabriel: Greg, Seth, and I do the majority of the writing, with Duffy writing all the drum parts. Greg's style is artistically innovative, with lots of great grooves and interesting chord progressions and sections. Seth leans towards a mainstream vibe, meaning the tunes are catchy, with melodies you can hum, and riffs that immediately grab your attention. I tend to do more of the technical, odd meter, world music-infused type stuff. However, we all put our stamp on each others tunes as well. So for certain sections of some songs, I'll compose my part according to the harmony someone else wrote. A lot of times for my tunes, I write all the music, except the drum parts, and the guys take my original ideas and make them their own. Also, Seth usually writes lyrics for my songs, since I'm not much of a lyricist. It's always a collaborative effort.

HGMN:  How did you guys meet?

Seth: We met through craigslist.  That's not the coolest story, but it's true.  I put up a post quactus7on craigslist about 5 years ago saying that I'm a guitarist who is trying to start a jam band in the vein of Phish, Umphrey's, Allman Brothers, etc.  Duffy responded, and although we talked on the phone and through email, we were never able to meet up.  He hurt his ankle one week, and the next week I had a family emergency, and it just never happened, so I moved on.  A few months later, I put up another post and met Gabe.  We got together and jammed, and I knew from the first five minutes of playing that Gabe was "the guy" I was looking for.  We played a few of my songs, and he soloed on them as if he wrote them.  I was so excited, that the next day, I went back on the hunt to find a drummer and a bass player, and by chance, that next day, Duffy wrote me and said his ankle was feeling better and he wanted to play.  So I met up with Duffy that next day and found out that he was an awesome drummer.  All the pieces were coming together, and strangely, they happened in a 24 hour time span.  I had been looking for the right guys for about a year prior to this and didn't find anybody that fit with the idea I had for this band.  Soon after the three of us started playing together, we met a keyboardist named Michael Russeck who was a member of the band for about 2 years.  He left on good terms, and we still jam with him sometimes.  In fact, he played a show with us a few weeks ago.  We tried quite a few bass players, and about 9 months after the band had been together, we finally found Greg and the band was complete.  The thing that makes this band work is that we all have a real understanding of not only our songs, but of jam band music.  Good improvisation is more than just noodling on a guitar, and everyone in this band has a really good ear, so we all clicked well with each other.  That's how I knew that each of these guys was something special.  Even before we really started writing original music, we understood how to make a good jam, and we could feel the music and sense each other's moves.  It was very cool when we started, and it has transformed into something well beyond our imagination.

Greg:  I played for a brief moment with the drummer of Revolutionary Side Effects and made a good enough impression that when he heard Quactus was looking for a bassist, he passed my number along to our old keyboardist, Mike.  The phone call couldn't have come at better, yet worse time!  Better because of the fact I just stopped playing with the guys I was playing with, and worse, because like Duffy, I too was a wounded soldier with a broken hand!  I happened to get in a scuffle with 5 or so bouncers and things did not land in my favor!  After the hand was healed, I met up for a session, and soon became the bassist of Quactus.

HGMN:
  I hear you guys put on an interesting live show.  How would you describe your stage antics?

Seth: We really want to change it up for every show, so we try new things all the time.  We never repeat set lists.  We segue in and out of songs in different orders to keep the listeners and ourselves on our toes.  We like to add teases from different songs in our originals.  For instance, Gabe teased the theme to "The Daily Show" last week at the Phamily Reunion, and we all followed him and did a little thing around that theme for a few seconds.

HGMN: Is this something that you guys rehearse or is it spontaneous?

Gabriel: Sometimes we preplan it, so we can work out a cool guitar harmony or just to figure out how we're going to get into or out of the tease, or how many times we'll play it. Other times, one of us might throw it in without having mentioned it to anyone beforehand.

Seth: We also like to put our stamp on some covers.  Our most requested cover is "Poison" by Bell Biv Devoe.  We turned it into more of a funk song than a hip hop song, and it's definitely a crowd pleaser.  We use a lot of hand signals while we play.  We use these hand signals to change key, tempo, style, and just to communicate on stage.  Most of the time, we let our music do the talking but we like to have fun on stage as well.  We've covered the training music to "Mike Tyson's Punch-Out" from the original Nintendo, and when we play that song, we like to run in place and train the same way that Little Mac did.  I remember one time we ended a show by throwing big handfuls of confetti into the air.  That seems so cheesy, but it was fun.  You have to have fun when you are performing.  If you take it too seriously, it's hard to enjoy it.  We're a bunch of goofballs, so we definitely like to have fun on stage, and hopefully that translates to good music as well.

Greg:  We always try to have a good time when we're on the stage, and hope that energy finds its way to the audience. We want to give them an experience - play some serious rocking stuff, grooves they can dance too, and even slow it down a bit and play songs like Better Days, which is truly a beautiful tune. I like to hit all aspects of the spectrum, and truly make it a show they can remember ...  I always enjoy our teases and covers that we play, but what I really like is when a jam starts from nothing, and we're able to take the listeners for ride!  Esprit D' escalier is a perfect example.  The jam starts with a drum solo, then the bass comes in followed by the guitars.  Starting minimal gives the band room to build and take the jam in different directions. Check out Esprit from OC Tavern 4-16-09.

Matthew: High Octane, Mind Bending, Signal Throwing, Intergalactic Jam-stra-fication with a side order of Rocking Out with Our Quack Out. 

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HGMN: What other covers have you done Quactus style? What's your favorite?

Gabriel: We've done "The Ocean" by Led Zeppelin, "Have a Cigar" by Pink Floyd, and also "Mike's Song" and "Suzy Greenberg" by Phish, among others. We just did "West LA Fadeaway" for Jerry's b-day a few weeks ago, and we've done "Scarlet Begonias" before too. I really like doing "Ghostbusters" or the "Knight Rider Theme" because the crowds usually get a kick out of them.

Seth: We do a rocked up version of the music from "Mike Tyson's Punchout" on old school Nintendo when Little Mac is training.  As kids of the 80's, that makes us really happy.  We've also done "Cult of Personality" by Living Colour, a groovy version of "Me & Julio Down by the Schoolyard" by Simon and Garfunkel, "Radar Love" by Golden Earring, and one of my favorites was when we covered the "Entry of the Gladiators", which is more commonly thought of as the music you hear when you go to the circus.  The crowd was kind of creeped out and totally into it at the same time.  It was fantastic.

HGMN: You guys use a lot of hand signals on stage. Has anyone ever mistaken one signal for another?

Gabriel: We haven't had any major train wrecks in a long time. Early on as we were developing the signals they would sometimes get confused, but we'd still make the mistakes work in our favor. Recently, we've been getting a lot tighter and quicker with changing from one thing to another. We now have an established "vocabulary" so we all know what we should be doing if a signal is thrown. It's a lot fun on stage and keeps us all on our toes and we still come up new ones from time to time.

HGMN: I like the claymation Quactus video. Did you guys do that?

Gabriel: Duffy and I did that one night. There was a lot of beer involved. Ha! It took us like 6 hours of work for that 1 minute of video. We had a lot of fun doing it. I'm sure there will be more.

HGMN: What do you guys do to keep from being bored while traveling on the road?

Gabriel: We came up with a word game during the last big road trip. It was a pretty simple game, and there's no real winner or way to actually end it, so it kept us occupied and laughing quite a bit.

Greg: We once made an art piece out of animal crackers ... we are a crazy bunch!

Seth: The word game really didn't have any rules.  I think we were supposed to come up with a phrase or thing that started with the same letter that the last person ended with.  We would give a category like, "things you can eat," and see how long we could keep that going.  Naturally, we all thought of the most heinous and perverse things imaginable, so we were entertained with this game for hours.

Matthew: Group yoga and meditation, although we have run into a few issues with the driver going off the road during that.  I like having really bad pictures of me taken, I probably should not tell the story but Greg snapped a real winner of me somewhere in Arizona or New Mexico during a roadside bathroom break at an abandoned mine shaft.  Personally I love being on tour and do not find it boring at all, I love the open road, cheap hotels, and much more so camping.  I am pretty sure I was a gypsy in my last life.  I am the most hyper talkative person in the band which makes me the hardest one to irritate; this works out really well for me.  Recommended stay in Flagstaff, AZ is the Relax Inn, the rats make for good early morning alarm clocks.

HGMN: Seriously, how did you guys come up with the name, Quactus? Was it from a dream or a strange acid trip out in the desert...?

Gabriel: Unfortunately, it's going to remain a band secret. Sorry.

Matthew: Trade Secrete, we have that under lock and key just like the Corneal has his top secret blend of 11 herbs and spices.  The best I can say is it all has to do with the power of the "Q", its 10 points in scrabble you know.

Seth: Ummm... how did we come up with the name Quactus, eh?  Well ... how did you come up with the name Chris Robie?  Huh?  You don't like it when we turn the tables on you, do you?  No seriously, it's a band secret.  I wish we could tell you, but we can't.

HGMN: Actually, I was named after one of the characters from Winnie the Poo. (Laughs) I was named after Christopher Robin, the kid with the umbrella and Poo's best friend.  Up until the age of eight all I got from anyone for holidays and birthdays was Poo shit! So we both have names that resemble a cartoon character. If you guys don't want to give up your secret that's fine, I'll just speculate. I'm guessing the "cactus" part came from Matthew because he has some serious body hair issues - cactus skin. That would explain the mattress leaks. I can also imagine a lot of things about where the "duck" came from. Duffy...does that have anything to do with Daffy?

Matthew: All kinds of Poo shit for your birthdays, is that like double chocolate?

Seth: Damn!  You're on to us!  Our secret is safe with you though, right?

Matthew: Are you agreeing that I am excessively hairy?  Duffy is extracted from my last name McDuffee, I add the "Y" because no one ever spells my last name correctly anyway

HGMN: What's coming up for Quactus?

Seth: Quactus is going to stay very busy.  We are going to tour some more soon, but we are still figuring out the details, so we have no specifics yet.  For the very near future, we are really focusing on making our second album spectacular.  We have a few tracks completed and the next month or so will probably be dedicated to recording.  We are also working on a bunch of new tunes that we are very excited about.  So, with some good luck on our side, 2010 will be a big year for Quactus, and we can't wait to tour and share the new album with everyone.

A chance to win great prizes while helping keep toxic phones out of landfills.

Environmental advocacy organization Rock the Earth,  announced today that they have partnered with the Allman Brothers Band and Widespread Panic in calling on all attendees of the bands co-headlining North American Tour, to bring their old, unwanted mobile phones (and chargers, adapters, etc) to the Rock the Earth booth at the Allman Brothers Band / Widespread Panic upcoming August - September US tour stops.

In partnership with Musictoday, Collective Good and Gibson, all attendees who bring a phone to the Rock the Earth booth for redemption will receive a 20% off a future Musictoday purchase, and be entered into a nightly drawing for an Instant Live CD of the band's performance; and the tour prize of a Gibson guitar; Plus gain entry into the national mobile phone recycling campaign Grand Prize of the "Party Like A Rock Star" experience - Winner plus 12 friends wins use of  the Gibson Tour Bus for a one night concert excursion.  

Allman Brothers Band guitarist Derek Trucks commented "We're very happy to align with Rock the Earth in this effort to keep mobile phones out of landfill, and just like everyone else, we too have been looking for the right place to recycle our old phones. In fact, I plan on bringing my five old phones to the Rock the Earth booth and I encourage everyone else to do the same".

Did you know that one (1) mobile phone has enough super toxic heavy metals to contaminate 40,000 gallons of drinking water?  Or, that one (1) billion new mobile phones were issued last year in the US alone, yet less than 1% ever get recycled? 

For those people looking to recycle an old phone but who are unable to attend any of these shows, they can still do so by simply going to:  Rock the Earth Phone Recycling Center to utilize the online entry form and free shipping. All participants will receive the 20% off Musictoday discount and gain entry into the Grand Prize sweepstakes drawing, So, what are you waiting for?  The more phones recycled - the less toxic chemicals threatening America's most precious natural resource - our drinking water supply!! And, the greater your chances of winning!

Please visit www.RockTheEarth.org for more information or stop by our booth at the following Allman Brothers Band / Widespread Panic tour dates:

August

18 - Saratoga Performing Arts Center (Saratoga, NY) with Doobie Brothers
19 - PNC Arts Center (Holmdel, NJ) with Doobie Brothers
21 - Susquehanna Bank Center (Camden, NJ) with Widespread Panic
22 - CMAC - Performing Arts Center (Canandaigua, NY) with Widespread Panic
24 - Meadowbrook U.S. Cellular Pavilion (Gilford, NH) with Widespread Panic
26 - Bethel Woods Center for the Arts (Bethel, NY) with Widespread Panic
27 - Jones Beach Theater (Wantagh, NY) with Widespread Panic
29 - Comcast Center (Mansfield, MA) with Widespread Panic
30 - Meadows Music Theatre (Hartford, CT) with Widespread Panic

September

1 - Charter One Pavilion (Chicago, IL) with Widespread Panic
2 - Charter One Pavilion (Chicago, IL) with Widespread Panic
5 - Red Rocks Amphitheatre (Morrison, CO) with Widespread Panic

October  / November dates - to be determined

FREE Funk Festival Saturday August 29th in downtown Long Beach!
Sustaining the future through funk! Internationally recognized legends and local bands alike will lay down the funk along Pine Avenue for Downtown Long Beach's first true funk fest.

Made possible by Downtown Long Beach Associates and the Long Beach Redevelopment Agency as part of the downtown Summer and Music (SAM) concert series, the event is being coordinated by Bobby Easton - a Long Beach resident and 20-year veteran of the national funk scene.

If you don't know what funk is, you will never forget after this!  In the street closure at Broadway and Pine Avenue, legends of funk Mandrill, Dawn Silva of the Brides of Funkenstein, Charles Wright and the Watts 103rd Street Rhythm Band and the Meter's Experience (featuring Leo Nocentelli) will bring the foundation of funk to the streets of Long Beach.  Local funk favorites like Delta Nove, Breakstra, OO Soul, Slapbak, Baby Stone (Daughter of Funk Icon Sly Stone) and Danny Bedrosian and Secret Army (coming all the way from Florida and featuring current members of Parlaiment Funkadelic) - will get you on the good foot, too!

The George Clinton Art Exhibit presented by Getdown Entertainment will showcase the bright and energetic visual creativity of one of funk's finest!

Special guests include Blackbyrd McKnight of Parlaiment Funkadelic, Cynthia Robinson and Jerry Martini of Sly and the Family Stone, and Master of Ceremonies Ricky Vincent, author of "Funk: The Music, the People, and the Rhythm of The One," the definitive study of the history of funk.
 
About Summer And Music (SAM):

Spanning from June to August 2009, and running the gamut from jazz to funk to pop, Summer And Music (SAM) will be the first to feature local musicians and a variety of creative curricula for free on the streets of downtown Long Beach. 

More info at: http://www.homegrownmusic.net/festivals/long-beach-funk-festival

I caught up with U-Melt before their July show at Revolution Hall in Troy, NY. The guys were both funny and intriguing. We talked about everything from Phish to the passing of Michael Jackson to the bands latest album.

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Rob Salzar (lead guitar)

Zac Lasher (keyboards)

Adam Bendy (bass guitar)

George Miller (drums)

Interview by Tom Miller




HGMN:  George, why don't you start by telling us how you all met.

George:  We actually met in space and flew to Earth on a giant burrito (laughing).

HGMN:  And the burrito landed in New York City, right?

George:  Yeah, in Brooklyn.  Well, actually in Queens, at the end of a runway at JFK.

Zac:  That part is true. That's where our first rehearsals were.  We had this place right at the end of a runway at JFK airport. We figured no one could bitch about the noise.

Rob:  Remember the Great Blackout in the early 2000's? That was like our second or third rehearsal. That was actually us, we caused that blackout.

Zac:  Yeah, that whole "busted wire" story in Ohio, that's bullshit. It was actually us. It was messed up, it happened right when I was plugging in my keyboard.

Rob:  Yeah, we seriously thought we did it.

HGMN:  It's well documented that Phish was one of your influences, who else influenced you guys and your music?

Rob:  Phish was really just one small influence in a big sea of influences.

HGMN: Were they mostly jam bands?

Rob:  No, mostly NOT jam bands I would say. I guess like the Allman Brothers, Garaj Mahal, stuff like that.

HGMN:  Assuming the burrito story isn't totally true, how did you guys all meet?

Rob:  Actually, we met through a music message board. Right?

Zac:  Yeah. And if you had told me in 2001 that the band I was going to be with, for 8 years now, was going to be a jam band, I would've laughed in your face.

HGMN:  Why is that? What did you think you'd be doing?

Zac:  I come from a lot of places, but was mostly going down the "singer songwriter" road. That's what I thought I'd be doing.

HGMN:  You must still use those skills now?

Zac:
  Oh yeah, I do. It all comes back to having a good song. I took a lot of theater in school and that influences a lot of my writing. I listen to a lot of "prog" rock, that influences my playing. That's why I have like 12 keyboards. But honestly, back to the Phish thing, I never liked Phish until George took us to see one of Trey's solo shows. Then I loved it, I thought that was great. And so as a student of music, George was really into Phish and he really wanted to get me involved in that stuff. So I started to listen just to learn from it but I was never really a Phish fan. I actually never saw them until after their hiatus thing.

HGMN:  So do you take offense to being compared to Phish?

Zac:  It is what it is. You know, we're a four piece band, we have long sections of crazy composition, long sections of exploratory and experimental improvisation. In those ways, I can't say the comparison isn't valid.

HGMN:  Vocally, you guys are more refined.

Rob:  Thanks, we appreciate that. You know, Trey may not technically sing well, but I like the sound of his voice.

Zac:  The thing I remember when I first heard Phish was "Wow, you don't have to be great singers to be successful". It kind of surprised me 'cause, well you know a lot of great song writers are NOT good singers. Dylan's not a good singer. Or like Tom Petty, he doesn't have a great voice but I love it. It's different and unique, it's Tom Petty. Not to mention he writes some of the best songs ever.

HGMN:
  You guys tour a ton. Do you ever get worn out?

Zac:  Oh yeah, it's hard work. Sometimes you just want to pack it up and go home.  We all have lives outside of this. When you go away for weeks at a time, it sucks. You miss your families, girlfriends.

HGMN: Do you guys prefer the festival scene over the club scene or vice versa?

George:  It really depends on the show.

Rob:  Yeah, it's definitely situational.

George:  Because we play festivals that are headlined by national touring acts or sometimes we're the headliner. Each one has its perks. When you're at a large festival with larger acts, you can get lost in the crowd. You can walk around unnoticed and enjoy some of the other bands. But at the smaller shows, sometimes you can get inundated pretty quickly. Thankfully, we're not that famous yet.

Rob:
Obviously though, when you are the headliner, you get more attention, you get to play longer. There's definitely an upside. Playing for thousands of people at a festival is awesome, there's nothing like it. Don't get me wrong, we still love playing for small crowds of several hundred. But we've finally gotten to that point where we've played a few bigger festivals or opened for some bigger bands and we've learned to effectively play to a crowd of that size. That's one of my favorite things to do.

HGMN:  After playing a long time on the road, do you find it difficult to play within the "structure" of a studio session?

Adam:  It seems like we actually have to relearn that each time we go into the studio.

Zac:  It's definitely a different game. I personally love being in the studio, I really enjoy it. We actually built a studio in my loft and that's where we've been working on our latest album for like a year and a half. And I love it, you know, getting down into the minutia of the music. But just like touring, there's a different sort of tedium to it, you can want to kill yourself after awhile because you're looking at things on such a minute scale. It's really easy to lose perspective on the bigger picture when you're looking at every single note and making sure it's perfect. It's a whole different type of creativity. You need to approach it differently, use a different part of your brain, different skill sets.

HGMN: When you make a studio album, do you tape it straight through?

Zac:  No, not this one. The one we're working on now has taken a year and a half while we've been touring.

Rob:   It's a real contrast to the first two albums we made. We took like two weeks each on the first two albums.

Zac:  Yeah, we locked ourselves in the studio for... I think the first one was actually just a week.

Rob:  Yeah, it only took us seven days.

Zac:
  We would do like 14 hour days and just lay out track after track after track. But we knew that this record was going to be much more complicated. There was more we wanted to do with it. We really wanted to get into it. We just couldn't have made this current record the old way.

HGMN:
  Is each album getting more complicated, more complex?

Zac:  [laughing] I think we might have reached a peak with this one.

Rob:  This album, in every way possible, is much more complicated than anything before it.

Zach:  And it's much more complex than the album after it will be, too.

HGMN:  What's the release date on this upcoming album?

Zac:  [laughing]  That's a fine question, sir.

Adam:
  Soon! Very soon!

HGMN:
  Before winter?

Zac:
  Yeah, definitely. We were actually planning for the fall of 2009. We're a little behind schedule.

Rob:  Seriously though, we're not like a lot of other jam bands when it comes to the studio. A lot of bands will just play a song a bunch of times. They'll take the best track, fix it, edit it, and that's it. That's NOT what we're going for. We're going for like Queen meets Yes meets Pink Floyd.  We're always trying to create some really intense "studio album" shit, ya know?

HGMN: 
When you guys start a track, do you already know exactly what you want it sound like on the other end?

Zac:  I'd say yes, well we at least have a pretty good idea. Things change along the way, where like I'll be laying down some keyboard tracks and I'll come across a cool sound and we might throw that in there. So we have a good idea what we want it to sound like but it inevitably changes. And now, having our own studio, we can take our time, experiment, and make the best music we possibly can.

George:  Yeah, and with this album we really went to the extreme with our "no time restraints" theory. So much so that we've agreed that next time we have to put time limits on ourselves.

HGMN: Kind of a Catch-22, isn't it? You need time restraints to get it done but then you don't have the time to make it exactly how you want.

Zac:  But you never do, that's the other part of it. It's never perfect, never good enough. We just eventually say "fuck this, we need to be done. We need to put this out there so the people can here it".

HGMN:  I get the impression that you guys all push each other to a higher level. Is that true?

George:
  We push each other all the time, in many different ways. These guys push me as a rhythm player to really understand what they're doing as far as music theory is concerned and I push them rhythmically, we all push each other vocally. Considering all the ways this could have played out, I couldn't pick a better bunch of people to play in a band with.

Adam:  Thank you. Thanks man, that's a great compliment.

Rob:  [laughing] I would say since 2003, all of us but (Adam) Bendy have become such better musicians.

George:  [laughing] Yeah, he's gotten slightly worse! We attribute that to his ego.

Rob:  He'll wear platform shoes and sequins on stage. It's fucking crazy!

HGMN:  Maybe that's his form of "musical exploration"

Rob:  Yeah, "exploration", that's a good word for it.

HGMN:  On Michael Jackson's 50th birthday, you guys did an MJ medley. Have you played any tributes to Jackson since his death?

Zac:  We've played a few teasers. We were actually having a band meeting when we heard he died so we were like, " yeah , I guess we should play Thriller or something".

Rob:  We did a whole verse, chorus and bridge of "Don't Stop 'til You Get Enough" minus the vocals recently. That was pretty cool.

Zac: The thing about Michael Jackson is that none of us have any business trying to sing his stuff.

Rob:  Not as an excuse because it wouldn't have made any difference but we did just learn the words to those songs like a day or two before the show. We definitely weren't trying to be Michael Jackson. We just wanted to have fun with it.

Zac:  The amazing thing about that is it didn't matter we couldn't sing. There were like 1500 people under that tent all singing along. Nothing we have ever done has been more well received than that 15 minute Michael Jackson medley, which actually sucks for us. But it is a testament to how good that music really is. Everybody loves it.

George:  Never before s something like that happened. I look up, and I literally saw 100's of people running into the tent.

Zac:  His music is just so good and everyone knows it and everybody loves it. I don't think you can't love it. He was amazing. His personal life...whatever, but what he did as an artist is unparalleled.  His music was all about the groove. It's such a visceral, primal groove. It's just really awesome.

HGMN:  Thanks guys. We'll keep an eye out for the new album. It's been really great talking with you.

http://www.umelt.com

http://www.facebook.com/umelt

http://www.myspace.com/umelt

Sept 12 & 13 2009

franti2

Michael Franti + Spearhead, Sly & Robbie, Cherine AndersonVieux Farka Toure',
Sellassie, Truth Universal, Aguas Da Bahia Drum & Dance Ensembel


September 12
Speedway Meadow, Golden Gate Park:
9am - 5pm
AFTERPARTY at The Fillmore:
8pm - late

 

September 13
S.F. War Memorial Building, Herbst Theater & Green Ballroom:
10a - 5p:   YOGA & BRAZILIAN DANCE WORKSHOPS
2p - 9p:  GLOBAL FORUM & CELEBRATION



The Power to the Peaceful Festival has become a premiere San Francisco tradition in its eleventh year and  is one of the largest free annual music, art and action sports events in the US with over 70,000 attendees, 200 exhibitors, vendors, international musicians, DJs, athletes, artists and speakers.

The Power to the Peaceful Festival (PTTP) is a fun, educational, hip, diverse and family oriented event with International Musicians on the main stage, a DJ tent, open-air art gallery, eco village, social justice forum, green vendors and food booths, and a healing arts tent, as well as a kids zone offering arts and crafts, live theater, music, activities and a parade. PTTP has grown from a local community based event to an international destination attracting attendees from Japan, Europe, Australia and South America.

Power to the Peaceful is a not-for-profit, non-partisan organization dedicated to the promotion of cultural co-existence, non-violence and environmental sustainability through the arts and music.

By bringing people together through music and art it is our goal to highlight the similarities and celebrate the diversity of all of the world's inhabitants.

Through our many International concerts, social forums, film festivals and fundraising efforts, we invite people of all ethnicities and faiths to strive for Personal Peace, Community Cooperation, International Co-existence and Environmental Sustainability.

We work closely with grassroots organizations, businesses and other non-governmental organizations (NGO's) to put on events that raise consciousness about the needs of the world today and inspire action that addresses those needs.

We strive to make each of our events more energy efficient than the last by constantly finding ways to reduce our carbon footprint as well as highlighting new energy efficient technologies.


http://powertothepeaceful.org

9*9*9


TRINUMERAL 2009

9*9, 9*10, 9*11, 9*12, 9*13
featuring
THE GLITCH MOBPRETTY LIGHTS (submonome), TOUBAB KREWERJD2SUN RA ARKESTRANEW MASTERSOUNDS, PNUMA TRIO, GIFT OF GAB (OF BLACKALICIOUS), BOOMBOX, FUTURE ROCK, BREAK SCIENCE FEATURING ADAM DEITCH, ORCHARD   LOUNGE, SIGNAL PATH AND  MORE!

Trinumeral Productions and Under One Beat Entertainment is proud to announce the 9th annual Trinumeral Music and Arts Festival, taking place at Deerfields Retreat & Music Park in Mills River, NC.  The event  which takes place September 9th through September 13, kicks off with The Official Trinumeral 9*9*9 Launch Party at the Orange Peel on Wednesday, 9*9*9 in Downtown Asheville.  The rest of the weekend will be staged at the majestic Deerfields Music Park, just twenty minutes south of Asheville.  Trinumeral is the only major music event this summer at Deerfields, which is known as the premier outdoor music venue in the Southeast US, and is truly one of the most pristine and gorgeous concert locations.

tri1This year's festival features some of the hottest electronic music acts in the country, as well as a strong line up of regional bands, DJs, musicians, sculptors, visual artists and more.   Topping the bill for the weekend are the San Francisco based producer collective,  The Glitch Mob, and the wildly popular live breakbeat producer, Pretty Lights.   The Glitch Mob, which is the brainchild of west coast producers, Ooah, edIT, & Boreta, all noted fixtures in the West Coast underground scene, have made a name for themselves with their relentless sonic assault on the dance floor, complete with ferocious drums, catastrophic sub bass, and otherworldly sounds. This summer has seen the act grow in to one of the top touring draws, and they just finished a full tour sharing the bill with the legendary techno pioneers the Prodigy, as well as stealing the show at this year's Rothbury Festival with their dynamic late night set.

Pretty Lights is the musical vision of the versatile Colorado-based producer Derek Vincenttri2 Smith.  Fresh off one of the most talked about sets at Bonnaroo, Pretty Lights has been touring constantly in support of their debut album, "Filling Up the City Skies."  The album has been downloaded over 30,000 times, helping Pretty LIghts become a household name in the electronic music genre. But it is in the live setting where the music truly shines.  In just a few short years, Pretty Lights has gone from an unknown act to headlining some of the biggest festivals in the country and selling out clubs in almost every city on their tour.

tri3Rounding out the bill is the prolific and world renown RJD2, the magnetic instrumental quintet, and local favorites, Toubab Krewe, as well as the 60's avante garde jazz legends, the Sun Ra Arkestra, Future Rock, Boombox, Orchard Lounge, Pnuma Trio, Gift of Gab (of Blackalicious), Break Science featuring Adam Deitch, and the UK funk outfit New Mastersounds, to name a short few.  The full line-up is listed below and more artists will announced soon.  Please stay tuned to the official festival website for updated news on the festival, the full line up, artist additions, directions, ticket info and more.  The website can be found at:

www.trinumeral.com

Tickets are now available at www.trinumeral.com. The first 9*9*9 pre-sale ticket buyers  will receive a free pass to the launch party at The Orange Peel (w/ very special performance to be announced soon).  Don't miss the biggest party in the south at the best outdoor venue in the east.  Last year's festival was a truly memorable event and this year is promising to be even more legendary!


Make sure to sign up for the Trinumeral Online Newsletter to win FREE tickets to this years' festival
More News Coming Soon...SO STAY TUNED!


THE FULL LINE UP

THE GLITCH MOB
PRETTY LIGHTS
RJD2
TOUBAB KREWE
PNUMA TRIO
NEW MASTERSOUNDS
SUN RA ARKESTRA
FUTURE ROCK
BREAK SCIENCE FEATURING ADAM DEITCH
GIFT OF GAB (OF BLACKALICIOUS)
BOOMBOX
SIGNAL PATH
BIG GIGANTIC
ORCHARD LOUNGE
ESKIMO
FLYING SKULLS
THE HEAVY PETS
MOCHIPET
TWO FRESH
FREEPEOPLES FREQUENCY
WELDER
AFROBETA
DJ EQUAL
PREP SCHOOL
EMANCIPATOR
GRANOLA FUNK EXPRESS (GFE)
ZACH DEPUTY
JAR-E
MINDELIXIR
MIDNIGHT ACE
DJ BOWIE
PAR D
AGOBI PROJECT
PG13
ENEMY LOVERS
THE MALAH
SONMI SUITE
EP3
YOUR DIRTY HABIT
MEDISIN
THE BURNYN SMYRNANS
MODO
BUMS LIE
INCONGNITO MOSQUITO
GRAVITY A
PAPER TIGER
INVISIBLE CIRCUS
TRIZ N' TATER
LIVING ROOMS
SOUND PIMP INTERNATIONAL
The second annual Summerdance featuring two nights with Lotus.

August 28, 29, 30, 2009

The scenic Nelson Ledges Quarry Park presents Summerdance II, an Electro-Instrumental Dance Festival featuring Lotus from Philadelphia, PA, headlining Friday and Saturday nights.

 nlp2

Nelson Ledges Quarry Park is a privately-owned, 250-acre campground and concert facility located about 45 minutes east of Cleveland, Ohio.  Between April and October, the Park hosts very reasonably-priced weekend concert festivals.  Camping, swimming, hiking, basketball, and kids' playgrounds are only some of the enjoyable options available at the family-owned and -operated Nelson Ledges Quarry Park.

 
Proprietor Evan Kelley is proud to present some of the best electro-organic dance acts in the nation for Summerdance II.  From Boulder, Colorado, EOTO and The Motet Trio bring their compelling grooves and otherworldly melodies.  San Francisco's MO2-Mind Orchestra, Philadelphia's Telepath, New York City's Digital Frontier, Boston's Lovewhip, Athens, Ohio's Papadosio, and Pittsburgh's Jazzam round out the stellar lineup.  Underground sensation DJ Rootz (Boulder, CO) will rock electrifying late night sets both Friday and Saturday nights.  Also appearing: The Werks, The Histronic, and Jeff Bujak!

 

Heavy-duty production values for Summerdance include super-beefy lights and sound guaranteed to fry your noodles!

 

Admission is $45 for Friday through Sunday, or $35 for Saturday through Sunday.  No dogs or glass bottles.  There is no extra charge for camping.

 

For more information, contact Evan Kelley at Nelson Ledges Quarry Park


 

Phone: (440) 548-2716

Email: nlqp@modex.com

 

NELSON LEDGES QUARRY PARK

12001 Nelson Ledge Road

Nelson, OH  44231

 

Website: http://www.nlqp.com
Quarry

Including West Coast shows with Brushfire recording artist Zach Gill

kyle

Kyle Hollingsworth releases his second solo studio album,Then There's Now, on September 15, 2009,marking the String Cheese Incident keyboardest/singer/songwriter's emergence as a trur solo artist.


For more than a decade, as keyboardist for Colorado's beloved String Cheese Incident, Kyle Hollingsworth has consistently proven one of the most innovative and virtuosic musicians on the American jamband scene. Now, with the Sept. 15th release of Then There's Now (SCI Fidelity Records), his first album since the band announced a hiatus in 2007, Hollingsworth extends his reach into areas that will both delight longtime admirers and lock in countless new ones. Emphasizing his considerable songwriting skills and incorporating a plethora of surprises, Then There's Now marks the true emergence of Kyle Hollingsworth as a solo artist.

Kyle Hollingsworth Band (featuring Dave Watts of The Motet -drums, Garrett Sayers of The Motet -bass, and Dan Schwindt -guitar) tours Midwest and West Coast States this fall in support of Hollingsworth's new album release.  Brushfire Records recording artist Zach Gill (ALO, Jack Johnson) joins Hollingsworth for the October run of West Coast dates and Colorado's Euforquestra returns home to support the September's Midwest dates.   A limited number SCI Fan Club tickets will be available through pre-sale at http://www.kylehollingsworth.com beginning Wednesday, July 29th at 10 am PDT.  General on sale begins Saturday, August 1st at 10am PDT at www.kylehollingsworth.com and at respective venues.

Kyle's complete list of fall tour dates is as follows:

September 10    Majestic Theatre    Madison, WI         w/ Euforquestra
September 11    Iowa City Yacht Club    Iowa City, IA         w/ Euforquestra
September 12     MARTYRS'        Chicago, IL         w/ Euforquestra
September 13     The Water Bowl    Muncie, IN         Wuhnurth Music Festival
September 17     Camp Zoe        Salem, MO    
September 18     Mishawaka         Bellvue, CO         co-bill w/Jeff Austin & Friends
September 19     Fox Theatre        Boulder, CO         CD release party

Following Dates are co-billed with Zach Gill
October 7    Winston's Beach Club    San Diego, CA         
October 8     The Mint        Los Angeles, CA    
October 9    SOhO     Santa Barbara, CA
October 10    The Independent    San Francisco, CA
October 11    HopMonk Tavern    Sebastopol, CA    
October 13    The Red Fox Tavern    Eureka, CA
October 14    WOW Hall        Eugene, OR
October 15    The Triple Door    Seattle, WA
October 16    Wild Buffalo        Bellingham, WA
October 17    Mississippi Studios    Portland, OR

For Hollingsworth, who has recently been more prolific than ever before, the title of Then There's Now offers the first clue as to where he stands today. Then There's Now undeniably draws on Hollingsworth's past affiliation with "The Cheese," using his previous work as a jumping off point-yes, there are some intoxicating, if more concise, jams to be savored. But the album's "now" component-irresistible melodies, poignant lyrics and fine-tuned song construction, plus a willingness to infuse the tunes with elements of pop, jazz, electronica, hip-hop and more-transports Hollingsworth into musical realms he's never before explored at length.



VISIT WWW.KYLEHOLLINGSWORTH.COM/THENTHERESNOW
FOR EXCLUSIVE ALBUM CONTENT INCLUDING
FREE MUSIC, HOME STUDIO VIDEOS, AND MORE
kyle2

New Monsoon - Live (2 CDs)

New Monsoon is such an entertaining group in a live setting, and it’s good to hear their energy translate to a disc.

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