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Chris Barron (front man for the Spin Doctors) recently returned from a trip to the Middle East where he performed for U.S. troops. I sat down with Barron before a solo show in Schenectady, NY to discuss the trip, his future plans with the Spin Doctors, and his newly launched solo career.


Interview by: Tom Miller


HGMN: You've been nominated for a Grammy, appeared on the cover of Rolling Stone Magazine, performed on Saturday Night Live, and shared the stage with the Rolling Stones. Where does your recent trip to Iraq to play for U.S. troops fall on your list of accomplishments?

CB:  You know, people get into music for a lot of reasons and a lot of those reasons are selfish. You want to be rich or you want to be famous or you want to "get the girl". But I think most people that play music want to make other people happy, and there's an impulse to go where people really need you the most, where people really need to be made happy. I don't ever remember playing for a crowd of people that were more... you know, they're lonely over there and they're in a very alien environment. There's hostility going on everywhere and the place itself is hostile. It's like 115 degrees out everyday and the sand is like this talcum powder, so if there's any wind at all the air fills up with this yellow sand that you're always breathing in. You have to walk around with a rag across your mouth. I mean, everybody knows you can die in the desert, but being there and thinking, "if you take all these buildings away, take this water away, take away these people that are guiding me from place to place, I'd be dead in like 12 hours". I'd at least be unconscious with buzzards picking at my bones. So, I've never been good at hierarchies, like "this is number one and this is number two", but for me there's a threshold and when things go beyond that threshold, it's an amazing experience. You know, like meeting Keith Richards was one of the most amazing things that happened to me. Appearing on Saturday Night Live was amazing, being on the cover of Rolling Stone was amazing. I'm doing this show tonight for WEQX and it was on this station that I first heard one of my songs being played on the radio. That was amazing!

HGMN: What song was it?

CB: Two Princes. Yeah, so this experience is up there with any of those. It was a really amazing experience. And it's not like "I'm so glad or so proud I did it". It's more like, "this is the least I can do".

HGMN: Was this something you've wanted to do or were you approached by someone?

CB: Actually, our record label sent another band over, Cowboy Mouth. So when I heard they were going over, I wanted to know how I could go, too. 

HGMN: How many people did you play for at each show? Was it hundreds, thousands?

CB: No, not thousands, it was like hundreds or less. Some shows had more than others. This one place we played in Baghdad was like an R and R area. And the troops are always moving, they come and go, and the night before we got there we heard the place was full. But then when we got there they all had to go and do like "war stuff" so there was nobody there. We had been convoyed in by a detail of soldiers so we basically ended up playing for them that night plus like six other people. There were other gigs though where we played for several hundred people.

HGMN: Did you play indoors or outdoors?

CB: Both, some gigs were outdoors and others were indoors.

HGMN: Besides the hostile physical environment you mentioned, did everything else go off without any problems?

CB: Yeah, it was really great. The soldiers are so appreciative. I'll never play for a more appreciative audience. It's not like they're foaming at the mouth and going nuts during the gig. They're generally pretty reserved and clap after the songs, but they're just very much into it. Like after the show we'd do a "meet and greet" and the first night they were like, "you know a lot of people are probably going to line up to meet you guys". And we were giving out CD's and some posters that we were signing, stuff like that. So they asked us how long we were willing to hang out and sign and I'm like, "Ahhh, 'til everyone who wants to meet us or wants a CD or signature, gets one." So they would sit there and be pretty reserved during the show but afterward everyone of them would line up to meet us. And they would wait.  We would hang out and talk and take pictures or sign autographs, but they would hang out for like an hour and a half. They wouldn't go away. They just waited on line and an hour and a half later there would still be a little line and they would just wait to meet us and get a signature or whatever. It was really cool, very special.

HGMN: Were you ever worried about your safety?

CB: No. We were never in any danger what so ever. I really want to stress that. We didn't do anything heroic at all. My family was worried about me and I reassured them over and over again that everything was fine. Honestly, I'm not in the business of putting myself in danger (laughing). That's just not for me. I was never in any danger. The soldiers over there are the true heroes. They are putting themselves in harm's way and they're to be admired for that.

HGMN:
Do you think you might draw inspiration from this experience to write a song?

CB: Um, well I am writing about it. Not a song but I am writing a blog about it. You know, I never know what might become a song. Sometimes momentous things don't make very good songs. It's kind of like the good stuff doesn't make a good story. So I don't know if I'll write a song about it, but like I said I am writing about my experiences there. I'm trying to go to a lot more interesting places and meet more interesting people. I'm trying to be more disciplined about writing this stuff down and I think I would eventually like to do some kind of a book, like a travel log. I've never really seen myself as a prose writer. I kind of think I suck at it but I'm actually pretty good at it. When I sit down and write these accounts of things, I um... well for example, there were things that happened over there (Iraq) that I thought I would never be able to describe or put into words, but I've sat down and made myself do it and it somehow comes out OK. Somehow I manage to get the vibe of what was going on. So I'll tell ya, I don't know if any songs will come out of it. I'm going to write the experience down and you know... it really changed me personally. When I got home, first of all I don't know how these guys adjust when they get home. I don't know how they do it. I was dreaming about barbed-wire and guns and concrete barriers for days after I got back. I was walking in the streets and I was amazed by something simple like our law and order. Law and order is not the order of the day in that world. Our system, the United States, is a country or a system that is certainly flawed. Our system is by no means perfect as far as everyone not getting the same deal as everyone else. But, it's a lot better... so much better than like, Iraq for example. Comparatively, here in the U.S., people get a pretty fair shake and for the most part there's law and order. People aren't just running around killing each other. So I've just been feeling very lucky since I got back. It put a lot into perspective. We all have our problems, you know, and they're real problems. But in comparison, when put into perspective, a lot of our problems are petty. There are much bigger problems in this world.

HGMN: Getting away from Iraq now, I'd like to know what you see in your future and if it includes the Spin Doctors?

CB: Oh, yeah. I always think of the Spin Doctors like a Ferrari. You know, you have this Ferrari in your garage and just because you don't drive it to work everyday doesn't mean you're going to take a sledge hammer to it. I love those guys. We have this love/hate sort of thing. I been places, done things with those guys. We share this collective experience that no one else was able to share with us. We did a lot of amazing things and everything I have now, I owe to those guys. I owe them my success. Well, I guess we helped each other. The reason I'm playing for this room full of people tonight is in part due to the success I had with those guys. We're still doing some gigs and stuff, putting food on the table, and that may extend into making another record. I really don't know. But there's certainly no plan to break up the band or anything like that.

HGMN: One last follow question to that. You've been through a lot of ups and downs; your well publicized health issues, chemistry issues with the Spin Doctors, etc. Are you happy where you're at right now? Are you at peace?

CB:
Yeah, I'm having a really good time. I really enjoy doing this solo thing. It's a really cool vehicle for my song writing. I really enjoyed doing Pancho and the Kid, I've been writing a lot with the Time Bandits and I've been writing on my own. I'm really looking forward to making another record. I'm really just trying to get the word out and I'd like to keep doing this but on a larger scale. Obviously, I'd love to be filling stadiums some day but I really just feel like I'm starting out as a solo artist. I'm just learning now, how to play the electric guitar. I've always played an acoustic and now I'm learning a lot more about music by learning the electric guitar 'cause it's so much more unforgiving, so much more precise. So what I'm trying to say is that I'm really enjoying myself but I'll never know everything I want to know about music. I'm really enjoying going out on my own. Like, when you're in a band for 20 years, there's stuff you automatically fall back on. Certain patterns, guys playing or acting a certain way, stuff like that. It's sort of this big safety net. On my own, there's a much smaller safety net. I'm just out there, working with the crowd. There's nobody to hide behind, it's just me. I'm really enjoying that, I like the higher standard I'm being held to. So I am happy but I want to keep growing and keep writing. I'm really hungry for tomorrow.

HGMN: Thank you, Chris.
                  



Josh Phillips Folk Festival - Blind Tiger - Greensboro, NC 09.10.2009

Josh Phillips Folk Festival - Blind Tiger - Greensboro, NC 09.10.2009
The Folk Festival captures that silky, smooth sound that differentiates Phillips from the rest of the musical fray.

I first met Josh Phillips in 2005, when he was serving as “front man” for Yo Mama’s Big Fat Booty Band.  Although the Booty Band played straight up, Get Naked Funk, Josh’s songs were melodic, soulful, and captured that yearning passion that many of us feel walking this complicated planet.  For all of the bluster and pomp of the “Booty Show,” there was a certain refined, sultry charm to many of the Booty Band’s songs back in those days.  Phillips was a major factor in the Booty Band’s charm for me, and one of the main reasons I attended so many Booty Band shows over the years.  When I heard

Yo Mama's Big fat Booty Band are proud to announce their first festival


SEPT. 24-27 @ The Sneedville Yacht Club Ranch
Sneedville, TN  120 Miles from Asheville, 70 Miles from Knoxville

TIX ARE AVAILABLE NOW AT www.bootybandland.com


booty2

Featuring 2 nights of Yo Mama's Big Fat Booty Band, a special performance of the Big Ol' Nasty Getdown (featuring members of the Booty Band), 2 nights of Donna the Buffalo, Sipe, Sears and Fountain, Gent Treadly and Steven Molitz (of Particle), the Mantras, Sci Fi and many many more!


The Southeast US's favorite funk band, Yo Mama's Big Fat Booty Band, are pleased to donnaannounce that they will be hosting their first full festival, September 24-27 at the Sneedville Yacht Club Ranch in Sneedville, TN (120 Miles from Asheville, NC and 70 miles from Knoxville, TN).  The festival features a fantastic line up of improvisational monsters as well as two nights of performances from the two main headliners, the Booty Band, and Donna the Buffalo.


The Booty Band came up with an idea to provide an affordable and interactive, yet top-quality event to showcase some of the Southeast's most excellent emerging artists, as well as some world-class greats, all in the name of dance, groove and party, the bacchanalian elements that are the Booty Band.  The event takes place in the breathtaking surroundings that are the mountains of Eastern Tennessee on the 135 acre Sneedville Yacht Club Ranch, located on Clinch River. Aside from an impressive musical line up of bands and DJs as well family friendly funky theme camps and a Saturday night effigy burning, attendees can also enjoy a wide array of outdoor activities including camping, canoeing, kayaking and mountain biking.
The four day weekend includes music on three stages, as well as the indoor/outdoor Badonkavillion, which provides a covered location for the morning yoga sessions, the High Noon Patriots, a high noon discussion session, a 12 step community support session, as well as a variety of musical workshops hosted by members of the Booty Band (Al Al on bass) and top musicians Jeff Sipe (drums) and Lefty Williams (guitar).  The Badonkavillion will also house the early AM DJ sessions.

Yo Mama's Big Fat Booty Band has always been known as a muli-faceted live act and is often joined on stage by trapeze artists and fire dancers as well as visual artists.  Their festival aims to stay true to this philosophy by providing a wide variety recreational activities that include fire performers, drum circles, theme camps, disk golf, the Bootygras Masquerade (bring your costume and boogy!), and a small regional film festival consisting of short films produced by various independent filmmakers and artists. 

Quite simply, there is fun for all ages and folks at the first annual Booty Band Land.  The full line up of musical artists is posted below.  For more information on the festival, directions, or to purchase tickets to this event, please visit the official festival website at
www.bootybandland.com

Bands:

Yo Mama's Big Fat Booty Band
Donna the Buffalo
Big Ol' Nasty Getdown
Sipe, Sears, and Fountain
Gent Treadly & Stephen Molitz (Particle, Lesh and Friends)
Danny Bedrosian's Secret Army
Electrofunkadelica
The Soular System
The Mantras
Sci-Fi
Mad Tea Party
Ga Na Si Ta
Asheville Horns
Lefty Williams Band
Jen & the Juice
Hot Politics
Jonathan Scales Fourchestra
Dot Line Projekt
Eymarel
Agobi Project
Stereofidelics
Wezooga
BPL
Tennessee Jed
Al Al's Hour and Bass Workshop
Bums Lie
Matt Williams and the Ocean
The Honeycutters
Blue Haired Ladies
Moon Tower
Cliff Swanson
Susannah Masarie
Boom One Sound
DJ Black Adam
DJ Berzerk
DJ 557
the Human Floor
booty

*FOR PRESS

contact: Will Bradford
Johnny Hustle Publicity
857.488.0280
willbradford3@gmail.com

Please correspond if you would like to attain Press Passes to this event,
or if you would like to set up an interview with any of the Booty Band artists or
festival organizers.
SeepeopleS unveil Apocalypse Cow Vol. 2


AVAILABLE AT MIDNIGHT (Sept. 4)~FREE! on www.seepeoples.com


peeps1
SeepeopleS is proud to announce the release of their long-awaited 4th full length album, Apocalypse Cow Vol.2. Over two and half years in the making, the release is a landmark in the evolution of SeepeopleS' unique sound and a return to the hybrid rock and electronica sound that made their second album, The Corn Syrup Conspiracy, a true underground classic.  The album is being released FOR FREE beginning September 4th at midnight on SeepeopleS' website, www.seepeoples.com as a musical financial bailout (you're welcome America). The twelve track version of the album will be available for download for six full months until the hard copy 17 track version is released in early Spring 2010, in time for the band's 10 year anniversary.

SeepeopleS has been a known force in the underground music scene for years.  Formed in Boston in 2000 by visionary songwriter, Will Bradford, the band relocated to North Carolina, which has been home since 2004.  The band has shared the bill with such acts as Death Cab For Cutie, Franz Ferdinand, Ben Harper, Cracker, Blues Traveler, and the Presidents of the United States of America, to name a few, as well as touring with jambands, Perpetual Groove and Lotus. Bradford has also done some extensive touring solo, most notably with Dave Matthews' collaborator Tim Reynolds.  While SeepeopleS has undergone numerous line up changes over the years, the sound has always remained the focused vision of songwriter Will Bradford.  The current members Will Bradford, Matt McDonald (formerly of Perpetual Groove), Ben Wells, and Adam Chase (formerly of the Phish cover band Strange Design and pop act Black Eyed Susan) are a heavy hitting lineup, replacing Peter Pisarcyzk, now in Lynyrd Skynrd, Tim Haney, who is currently touring with Stephanie's Id, and Dan Ingenthron (Inchworm).

Apocalypse Cow Vol. 2 was co-produced by Will Holland at ChillHouse studios in Boston, MA.   Holland is best know for his work with the Pixies, Dead Can Dance and Fall Out Boy, as well as producing Earl "Chinna" Smith and Kiddus-I.  While touring of late has been light to concentrate on the album, the band's legendary performance at All Good Music Festival ensured that music fans are just as hungry as ever for more SeepeopleS.  The band will be announcing their full tour in the coming months, but in the meantime, are playing select CD release dates (Asheville, Athens, Boone, Knoxville), as well as co-headlining the Green Mountain Eco Festival September 25th 26th, in Eldridge, Missouri, alongside the Itals, Particle, DJ Logic and the Ozric Tentacles.  SeepeopleS will be playing 2 sets on Friday and Saturday and will be debuting much of the new material from APC2.  Will Bradford's and SeepeopleS' front of house engineer Brooke Binions' electronic music act, FreepeopleS FrequencY, will also be playing a late night after- hours set on Friday.  For more information on the festival, please visit www.greenmountainecofest.com.

For more information on SeepeopleS and to download the new album please visit the band's official website, www.seepeoples.com. More tour dates will be announced soon.  The band is also currently in production of the first music video from APC2 for the first single from the album, "Modern Times."  Stay tuned for more information coming soon.

peeps2
www.seepeoples.com

CD RELEASE DATES

9.16  Caledonia Lounge - Athens, GA w/ CDub
9.17  Club Catalyst - Knoxville, TN  w/ Spoonfed Tribe and Jescoe
9.18  Stella Blue - Asheville, NC   w/ By Morning
9.19  Boone Saloon - Boone, NC
9.25 & 9.26  Green Mountain Eco Fest - Eldridge, MO w/ Ozric Tentacles, Particle
10.22 Old Rock House - St. Louis, MO
10.23 Outland Ballroom - Springfield, MO
10.24 Mojo's -  Columbia, MO



contact information
Brooke Binion
770.316.3713
bebinion@gmail.com

Press Passes are available for ALL SeepeopleS shows

Please correspond if you are interested in setting up an interview w/ SeepeopleS
HGMN welcomes its newest members to the Network.



STEEZ

Steez_Promo

Think of a hibachi chef flipping a raw egg high in the air with the spatula. While in the air, he manages to successively chop fresh veggies and slice his meats with precision with plenty of time to turn his spatula up to the air and perfectly catch the egg shell on its edge while the whites and yolk splash perfectly onto the skillet. There a lot of tasks involved within short pockets of time, but each piece fits precisely together into an energetic crowd-pleasing performance. Coordination is everything.

Categorization be damned, the Madison-based five piece, Steez, consisting of Matt Williams (keyboards/synthesizers/accordion), Steve Neary (guitar and vocals), Rob Bessert (drums), Chris Sell (bass), and Andrzej Benkowski (saxophone, oboe, and violin) is -- in the simplest terms and the most convenient definitions --  a funk band, a jamband, a fusion band, a disco-fanged multi-beast, and a basket case.

Churning out their self-described Creepfunk, a high energy, danceable variety of funk -- one uniquely laced with electronic and improvisational sensibilities - Steez has garnered a loyal following throughout the Midwest, winning contests to perform at both the 2008 Summer Camp and Rothbury Festival and performing to capacity crowds at rapidly growing venues . After receiving repeated acclaim for their live performances, which typically include a seamless weaving of thoughtfully composed originals and crowd pleasing covers spanning from Madonna to clever obscurities like Genialistid (Estonia), Steez is ready to take Creepfunk into the studio for their first full length LP.

Hoping to carve out a niche in the competitive jamband landscape, what really sets Steez apart is the camaraderie and endearing sense of humor. The band's humble beginnings include getting banned for life from a venue after their first ever live performance, maneuvering a moped accident involving a parked car, and cruising the Midwest in the inspired 35 foot band bus, "Big Brown." While it's the original songs and taut musicianship that initially grab both fans' and critics' attention, the band's personality keeps it.

steez2

http://www.creepfunk.com/
http://www.myspace.com/steezburgers



ODD METERS

Odd-cover

The Odd Meters are a unique, instrumental duo whose music blends various genres into compelling modern compositions. Their high-energy performances include styles such as Jazz, Afro-Cuban, Pop, Fusion, Reggae, Indian Classical, and Funk.

The mixture they create takes their audiences of young and old on the same musical journey around the world. The majority of the bands' tunes are original, written by guitarist Jon Morrow and fused with the explosive yet graceful touch of Shane Parreco on drums and percussion. Although the Odd Meters are a duo, they have the sound of a trio thanks to the 8-string guitar (created by Ralph Novak) that Jon plays.

These two characters met in 2003 at Brevard College, where they found each other learning from the same primary teachers: Dr. Laura Franklin (percussion) and Jeff Sipe (drums/rhythm concepts). Both Morrow and Parreco were able to gain a deeper level of understanding music from their studies and quickly became great friends because of their mutual enthusiasm for various styles music. These two unique musicians share a similar musical vocabulary, a desire to always be inspired and challenged, and a passion for making and sharing live music. 


http://oddmeters.com/
http://profile.myspace.com/theoddmeters



AMY HENDRICKSON & THE PRIME DIRECTIVE

amy


Amy Hendrickson & the Prime Directive is a folk, rock, funk, alternative, jazz, blues, psychedelic experimental, four piece band which hails from the rich and diverse music scene of the oldest city in the United States-Saint Augustine, Florida. The band formed in the winter of 2008 when bassist, Stephen Pigman and drummer, Steve Hawkes teamed up with singer-songwriter, Amy Hendrickson to fill a gig at a local health foods restaurant. Immediately the three knew they had something special. With the addition of saxophone player Corey Peterson, the band developed a very unique sound which is very hard to categorize. The band started playing cover tunes with a small amount of originals, but since conception, the tide has turned and the band now plays mostly original music. They have accomplished a lot since January of 2009. They have recorded an EP, received tons of local, national, and international radio airplay, been accepted to Home Grown Music Network, played numerous shows from bars, private functions, music venues, and festivals, they have been on tour in Tampa, FL, New Orleans, LA, and Austin, TX. Most notably, they gave an amazing, unforgettable performance and received a standing ovation at the Florida Theatre in Jacksonville, FL while opening for the Wallflowers. This band continues to write more great songs and are always trying to explore new avenues. Their light-hearted, comical, and improvisational stage presence draws the audience in to make them feel like a part of the show. This band is great for male and female fans as Amy's prolific lyrics and witty "girl-power" are sure to please the ladies and the rockin' band supplies a funky,crunchy back beat for the gentlemen to enjoy. Everyone is sure to feel the infectious groove of Amy Hendrickson & the Prime Directive.
-mission of the band: "To create a tidal wave of serotonin."

http://www.myspace.com/pdirective



THE RAGBIRDS

rag

The Ragbirds began with songwriter, violinist/multi-instrumentalist and vocalist Erin Zindle and percussionist Randall Moore. With a love for world music and a desire to weave these distant sounds into more familiar genres, they began recording The Ragbirds debut CD, Yes Nearby as they searched for musicians who shared their vision. They joined with guitarist/vocalist Adam Labeaux and bassist Jeff Stinson who added their skills to the project. Along the way they added percussionist Tim Dziekan and the band developed the sound they envisioned, combining these global and modern elements.

In April 2005, The Ragbirds released Yes Nearby, an independent full-length album consisting of 12 well-crafted songs. The CD won rave reviews from local and regional press and currently has sold over 1,500 copies. In February 2006 as the band grew more deeply rooted in their hometown of Ypsilanti, MI they followed up their debut with a live album called Catching Fire, which captures their intense live performance experience.

Led by dynamic, exhuberant and entertaining front-woman Zindle, The Ragbirds use many traditional folk instruments including violin, mandolin, banjo, accordion, acoustic and electric guitars, and harmonica. But the music goes beyond folk, incorporating Celtic, Gypsy, Mid-Eastern, African and Latin styles, with a strong rhythm foundation of bass, drumset, conga, djembe and percussion. Erin's warm vocals and fiery violin playing combine with tight harmonies and interlocking melodies to create a sound that is truly The Ragbirds own. The effect is positive and poetic music with the power of danceable rhythm.

The Ragbirds can be seen performing all over the Michigan music scene and beyond, spreading in widening circles from Ohio to Chicago to New York and further into the Mid-West, stirring up a buzz everywhere they go. They have performed at countless clubs, pubs and venues, including The Blind Pig (Ann Arbor), the Temple Club (Lansing), The Ark (Ann Arbor), Bells Brewery (Kalamazoo), The Magic Stick (Detroit), Mickey Finns (Toledo), The Trinity House Theater (Livonia), Wise Fools Pub (Chicago) Union St. Station (Traverse City) They have shared the stage with regional and national acts such as Brothers Past, Tea Leaf Green, Ember Swift and more.

In the summer of 2006, The Ragbirds enjoyed their busiest season yet and performed at numerous prestigous festivals including Wheatland, Dunegrass, and Beaver Island with featured artists such as Hot Tuna, Tony Rice, Greg Brown, Cornmeal, Steppin' In It, Iris Dement, Seth Bernard & Daisy May, and more.

Along with their heavy touring schedule, The Ragbirds also perform public events, fundraisers and benefit concerts. They can be heard on local and regional radio and read about in regional papers and online reviews. Over the last two years the band has developed a large, loyal and growing fan base who often travel great distances to see them play. The Ragbirds unique and high energy fusion of roots folk, world-groove, and pop-rock sensibility gets audiences of all ages and sizes up and dancing.


http://www.theragbirds.com
www.myspace.com/theragbirds

Camp Barefoot 3

Near-perfect weather, a secluded, pristine venue and a lineup you would never expect to see at a festival this size combined to make CB3 a rowdy good time.
breakfastLotus, Perpetual Groove, John Brown's Body, U-Melt, The Breakfast, The Bridge and Toubab Krewe were worth the admission price. Rounding out the roster with some talented regional acts was the proverbial icing on the cake. The estimated head count was 2100 at the peak, counting the one-day ticketholders.


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