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Mike Gordon & Leo Kottke - Sixty Six Steps CD

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Since its release, a lot has been made of the tropical breezes blowing through Sixty Six Steps, the second collaboration between guitar guru Leo Kottke and enigmatic ex-Phish bassist Mike Gordon, but the duo’s ability to inject their own eccentricities into one of the most bastardized musical traditions on Earth is even more impressive. While a distinctly Caribbean pulse beats throughout much of the album, there is much more to this than a few grains of sand on a beach in the Bahamas.

Project Z - Lincoln Memorial CD

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Bill Bruford once told me in an interview during his last tour with Yes (for the album Union) that chamber or group free improvisation has been a tradition and joy among classically trained European musicians, and that formally scheduled open jam sessions were widely in practice during the time of "J.S. Bach" and likely long before. As jazz and rock forms in music derived from a blending of European and African musical traditions and elements—free and open improvisation from the very beginning provided a means for musicians to communicate on multiple levels simultaneously, in the absence of spoken queues or any pre-determined forms. Project Z to my ears embodies a milestone among recorded sessions of free improvisation, and in an electric setting picks up where some of the great “free" recordings of the 60s and 70s by the likes of Cecil Taylor, John Coltrane, and Anthony Braxton left off.
Today you can still feel the energy that has been captured by the Ledges over hundreds of years. It is still a meeting place, and it was once told to me that "People weave their individuality through the park, creating a beautiful tapestry of diversity, bound together with a common love.
By Micky Marotta

Micky Marotta: How did you get involved in this whole thing?

Evan Kelly:
I was a musician and working here as a life guard starting when I was 18 years old. I kept coming back every summer and became maintenance, then manager. Wen the opportunity came to buy the place out-right, I knew it was time. It had long been a dream of mine to incorporate music with the outdoors. I purchased the park in 1996 and we started having shows in 1997.

MM: What are you proudest of here at the park?

EK: I am most proud to see people leaving the camgrounds with huge smiles on their faces, blown away by the experience here. I see that alot from kids to adults. There is just so much to do here in addition to the music. Please encourage folks to check out the website: www.nlqp.com and see the photos. You can take nature walks at the state park accross the street and see the caves and ledges. You can walk through the park and see the spring fed quarry or swim in it or take scuba lessons. You can hang at the campfire, fly kites, dive off the cliff, listen to music or visit any of the vendors. The forest is especially beautiful as the leaves are starting to change and we have a lot of wildlife here.

MM: What is your favorite band to have here?

EK: All of them! I love the repeat performers like Dark Star Orchestra, The Recipe and Ekoostik Hookah, but I also really have enjoyed the folks that have only been here once. Those include Derek Trucks Band, The Meltones from Japan, Dirty Dozen Brass Band, Phil Keaggy and Glass Harp, The Waifs, Wookie Foot and Rusted Root. We have some bands that have been a couple of times like Bernie Worrell and The Woo Warriors, Carlos Jones and the Plus Band, Sam Bush Band, David Grisman Quintet, Keller Williams, Tommy Chong, Mickey Hart, Sun Ra Arkestra and so many more. I am just such a huge fan of music that I enjoy them all. There are so many bands that we want to get out here that have not been here before, and every band that has played is certainly welcome back. There are many more bands that we haven't discussed that I really enjoyed also.

MM: What is the strangest rider you have had requested?

EK: Leftover Salmon wanted new socks and underwear. (Let's just leave it at that!)

MM: What is your favorite spot here in the park?

EK: I have a couple of special places...I enjoy sitting on the cliffs and relaxing and enjoying the beautiful view. I also love to put on the scuba gear and go into the quarry. I sit on the bottom, to meditate and just chill. I guess I'm getting my space together before the show!

MM: You seem like you live off the land when you can. Can you tell us what you've got going on in the garden and on the property?

EK: Well, we grow our own vegetables and use those a lot when feeding the bands. We also have a great flower and herb garden. I have honey bees and we eat a lot of honey. This spring we are going to start tapping the trees for syrup also. We'll probably sell that locally but mostly eat it and give it away!

MM: What do you think of Clear Channel?

EK: In a way, they are a sad representation of the Amercian business culture in general. What can I say, they do what they do because the can and a lot of people in the business let it happen. They can squash a lot of smaller clubs and venues...bands don't get taken care of as well as they should in terms of money and hospitality like we do here at the park. On the other hand, they are capable of putting on some great shows with huge acts and some good music. I guess it comes down to the fact that we all have to work together. They have not squashed me yet and I am not worried they will, because we are too good at what we do here.

MM: What do you think of Home Grown Music Network?

EK: It's a wonderful organization. It has proved to be very beneficial to Nelsons Ledges Quarry Park! It's great for musicians and fans alike. I love the updates I get on the scene and we are very proud to be a part of it. I have the link to Home Grown on our web site and we are grateful to be able to promote it. It's the perfect grass roots organization to offset the "clear channel factor".

MM: What was the best show you ever saw?

EK: In 1984, I got to go the see the Grateful Dead for three nights in a row in Hampton, Virginia. It was one of the first times I got to travel to see a show and then the first time I saw multiple shows in a row. The band was on fire all three nites and the crowd had an amazing amount of energy and love going. It was incredible.

MM:
What do you expect of folks who come to the park for a festival?

EK: I want them to respect the scen and what it is there for; the music, friendship, comradery, spirituality, love of god and life and the love of outdoors. Of course, I also want them to have a great time. The energy the individual brings helps make each event great. When it all clicks, it is just amazing....recently, The Grateful Fest we had was filled with that great energy and it was incredible.

MM: I know you and your wife have two beautiful daughters but one of them has some serious health issues. Can we discuss that?

EK: Yes, my daughter Jessica has Rett Syndrome, a neurological disorder. It can best be explained by calling it a pervasive development disorder. Jessica was born in April of 1995 and was perfectly normal for over a year. In 1996 she kept getting sick and was losing some of her abilities, like she couldn't hold her bottle any more or couldn't say words she had already mastered. We took her to Rainbow Babies and Childrens Hospital and she was diagnosed correctly there. It was heartbreaking for all of us, but the Rett Syndrome Foundation gave us support and really helped out a lot with information and ideas to keep Jessica as healthy as possible. She's 10 now and can stand by herself, walk with help, but can't really talk. She is very intelligent though and loves to be read to and interact with people. She has been puzzled about why she is different, and that is a tough thing for us. She needs help 24 hours a day, but she is also a great blessing and a beautiful spirit.

MM:
This experience with Rett Syndrome got you involved with fund raising, correct?

EK: Yes, it sure did. Jessica goes to Happy Day School for kids with special needs and we started by raising money for them. Donna the Buffalo was involved with the Herd and doing fundraising so it seemed logical we should so something too. At this point we have raised over $12,000.00 for a variety of things, mostly Rett Syndrome research and support or the Happy Day School. We are very proud of the fans for putting so much money into these fundraisers.

MM: It's almost Halloween and that means it's time for Gory at the Quarry. How'd you come up with that event?

EK: Well, I've always been a great party thrower and Halloween was always a big event. This is an outgrowth of the annual party I used to have. Next year will be the 10th anniversary of this event. This year we have a lot of stuff planned and we are really looking forward to it. Folks can always check out the web site for the latest information. We have one other cold weather event too, early next year we will play broom ball on the ice and camp out. Just bring the warm clothes and it will be a blast!!!

MM: What are your hopes for the future of the park?

EK: I want to continue to do a better show than the last one...as well as preserving the natural beauty and vibe of the park that makes this the special place that it is. Our fireworks on the fourth of July get better every year, we have more sky divers every year participating in the dusk beach landing and we keep getting more and more great bands in the park. It doesn't get any better.

MM:
What words of wisdom do you have for someone that would like to open up a festival spot?

EK: People think that we make tons of money and that this is easy. It's a constant struggle, we are just starting to turn a profit. There are many years were I have lost money and it's been a strain on me and my marriage. It's always a gamble when you do something like this...look at all the venues that have come and gone, same with festivals, they happen one time and that's it! The reason we've survived is not only that fact that we put on a wonderful show but that we are blessed with this great spot: the quarry, the lush woods, the amazing history of this spot; all this and the fans have brought us to what Nelson Ledges Quarry Park is today.   
It is with our deepest regrets that we announce the cancellation of this year's Blue Ridge HarvestFest scheduled for October 7-9 in LaFayette, GA. The event was to be a benefit for hurricane relief, but a benefit that does not generate any proceeds for the intended cause doesn't benefit anyone. All HarvestFest ticket holders who purchased tickets with a credit card, whether through harvestfest.com or via phone, will be refunded the cost of the tickets automatically and will see the credit on their next statement. There is no action necessary to receive this credit. Ticket holders who purchased with a check or money order will also be refunded and will be contacted by High Sierra Music in a timely manner. Ticket holders who purchased through ticket outlets should return tickets directly to the outlet.
In our fifteen years of presenting quality music festivals, High Sierra Music has never cancelled an event and this was an extremely difficult decision for us. It was our hope that HarvestFest could recover after being hurt by last year's Hurricane Ivan. However lackluster ticket sales, exacerbated by the ripple effects of Hurricane Katrina in the region, left us with little choice but to cancel.

We deeply regret the inconvenience this causes for everyone who was eagerly anticipating this year's HarvestFest, and we sincerely apologize to our patrons, musicians, staff, vendors, volunteers, sponsors and everyone who contributed their time and energy to HarvestFest. We are committed to presenting top-notch musical experiences and hope to emerge from this unfortunate setback to present events at beautiful Cherokee Farms in the future.

The High Sierra Foundation will continue to raise money for our Katrina Fund. Donations to the fund, which will supply direct aid to New Orleans and Gulf Coast musicians affected by the storm, are being accepted at the highsierramusic.com and harvestfest.com websites.

All of us at High Sierra Music and T-Dawg's Productions thank you for your understanding and support. 

DJ Williams Projekt - Projekt Management CD

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The bands rolls from one tableaux to another during its eleven song journey, tunes and melodies tumbling over each other and sliding in and out of focus before the next passage—like most great works you can’t hear the transitions, feel the segues or see the seams—soars into the air, lifting you towards another idea, another bowl of bottomless soul. If you’ve been lucky enough to see the Projekt live, they transcend your expectations on record. Perhaps, most importantly, the band sounds like they’ve crafted a perfect set without the usual awkward filler or ill-placed sequencing. DJ Williams effortlessly glides the direction of the sonic story unfolding with restrained confidence and experienced talent. Whereas most bands have to shove their bravado in your face every five minutes with technical gymnastics, Williams allows the music to speak without losing track of the biggest fact of all: tunes need to be memorable. And they are.

The Benevento-Russo Duo - Best Reason to Buy the Sun CD

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The debate over who brought guitar distortion to popular music will probably never die, but no one can argue against its impact. Aside from Little Richard, Chuck Berry and Bo Diddley, nothing has shaped rock and roll like the noise created by a simple tear in a conical piece of fabric. Only time will tell what distortion will do for the Hammond B3 organ. What started as a one-man roller rink soundtrack has evolved into one of the most distinctive sounds in the jazz universe and has stretched the genre as much in the last ten years as any single musician.

New Monsoon - The Sound CD

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The San Francisco septet comes roaring out of the gates with their first new studio album since 2003’s “Downstream.” The sound, as it were, is full, rich and a heck of a lot tighter than any other recording including the live masterpiece from 2004, “Live at the Telluride Bluegrass Festival”—a series of songs that would have placed most any band on a cozy cushion for quite some time, but not New Monsoon. The eleven tracks on “The Sound” crackle with diamond-edged hard rock that is equal parts 70s thunder and 21st Century power jam. “Journeyman” opens the heart of their old sound and exposes a band ready to move forward. “The Sound” has Jeff Miller writing a very political song about the media onslaught that surrounds us day in and day out—trading on civil liberties today, hoping for tomorrow’s national security; meanwhile, someone has to turn off those darn TVs.

Steve Kimock Band - Eudemonic CD

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So, I like axe-welders…here’s one who can truly be called The Man! Well, there’s a reason he was nicknamed Eu De Mon by his late friend, Doug Greene. These nine tracks are the first studio excursions of the Steve Kimock Band. Hard to believe it’s been five and a half years for this lineup and nary a studio track: Kimock on guitar, steel guitar, mandolin, ukulele, Rodney Holmes on drums, Alphonso Johnson on bass, Mitch Stein on guitar and Jim Kost on keys. Holmes also serves as Kimock’s co-producer, occasional writing partner and persistent sonic foil on track after track where tone and colors are applied with equal feel towards improvisational eudemonica.

Grace Potter and the Nocturnals - Nothing But The Water CD

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Ah, time to slow it down a bit before I’ve got a Smokey on my tail…slip in the chick with the second most famous band from Vermont for a little mellow, second gear vibeage. WRONG. Potter has enormous range—everything from Aretha Franklin to Bonnie Raitt rattles from her pipes and the band cooks behind her; alas, the pedal goes back to the floor and cops be damned. “Nothing But The Water” is a collection of great Americana blues rock infused with so much confidence that Potter exudes a weird sort of ‘Star is Born’ aura throughout the disc—over the fence, far away and gonegonegone.

Allman Brothers Band - American University - Washington, D.C. - 12.13.70 CD

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This show was the first gig where Bert Holman corralled the Allman Brothers Band to play a show at his university. Eventually, Holman would manage the band so, this show isn’t just an excellent record of Allman, Betts, Oakley, Jaimoe.and Trucks burnin’ but quite a historical document, too. Hard to believe that Holman had to persuade his student body to get the band to play at his school but those were the early days.

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