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With their first official CD “A Buzz, Buzz’ due to be released April 29, 2008, the four talented and musically astute gentleman of the folky, unique group, Bombadil, had quite a bit to say in regards to their history, their music making, their current goings on and the album itself. The band, comprising of Stuart Robinson, Bryan Rahija, James Phillips and Daniel Michalak, are musical troubadours who proved to be quite the conversationalists, full of stories as we chatted via phone for a while in regards to all things “Bombadil.”
 
By
Jennifer Harp


HGMN:  Let's begin with some personal history from each of you.  Why don't you each tell me how you got started in music.bomba6

James:  I'll start.  I remember by the time I was two I had worn out a copy of "Born In The USA."  My sister and I would run around in circles when listening to that album.  I started playing recorder in the first grade, clarinet in the third grade and drum set in the seventh grade.  

HGMN:  Now for Bombadil you play..

James:  Drum set and recorder.

HGMN: Stuart..your beginnings?

Stuart:  I play keyboard and...what did you want to know, how we started out?

HGMN: Yes, how old were you, your first instrument, that sort of thing.

Stuart:  Well, we had a piano around the house that I always banged around on.  Then when I was five, my parents decided to sign me up for lessons with that.  I decided I liked it and that was pretty much it.

HGMN:  For Bombadil you play mostly keyboards?

Stuart: 
Well, I'm trying to learn a little guitar from Bryan, but not really.  (laughter)  I played trumpet for my middle school band, too and do that some now along with the keyboarding. 

Bryan: 
I'll tell you my story next, Jen.

HGMN:
  All right.

bombismilesBryan:  I started playing guitar when I was 12, probably.   I listened to a lot of Led Zeppelin and my friend's little brother went to a guitar camp where he sat around with a bunch of old guys and learned Robert Johnson and Mississippi John Hurt and I thought that sounded pretty cool.  So, I started going to the camp with him and started learning like old time bee-bop, and that was really what I cut my teeth on, so to speak  (laughs)

HGMN:  And, now, you play..

Bryan:  Mostly guitar, but I also do some bass and various other things.

HGMN:  Instrumentally, it seems as if you guys all seem to feed off of each other.  This is obvious mostly in your live performances.

Bryan:  Yeah, I think so.  I get really jealous of James, playing the drums.  (laughter)  So, yeah, we do learn from each other.

HGMN:  Okay, Daniel.

Daniel:  I'll go last.  (laughs)  Where do I begin?  Ummm...I've always liked music.  I played guitar all throughout high school.  I played bass, too, sometimes with the band.  But I mainly play guitar. 

HGMN:  Tell me about the history of Bombadil.  Also, the conception of the band name.

Daniel:  Sure.  The name of our band comes from a character in "The Lord of the Rings" trilogy; Tom Bombadil.  He appeared in one chapter and you never hear about him again.  bomba2

HGMN:  Why did you chose to use that character's name for your band?

Daniel:  I'll have to check our fact sheet,  (laughs) but...no, it sounds good.  This character lives in the woods with his wife.  He appears to help save people from being eaten by trees.  I talked about it with the manager we had at the time and mentioned that we play the kind of music that Tom Bombadil would play.  So, we like the word 'Bombadil' and after thinking about it for a second it kind of stuck.  As for the beginning of the band, well, at first there were a lot of twists and turns.  We started with me and my brother, John, who was the drummer for the band first, and plays drums on the upcoming album.  As for Stuart and Bryan, we all met each other our junior year.  We all started playing music together and then my brother left.  We started searching on Craig's List for a drummer and fortunately found James. 

HGMN:  Each song you have is reminiscent of a good story.  Do you plan for the songs to come out in this style?  You guys are like the bards from the days of old.

Bryan:  Ummm...I guess in a lot of ways we are trying to do 'folk' music.  Storytelling is a really important part of folk music.  It's important to have a reason to sing and have something that you want to share, or tell, with or to your audience.  More often than not, they really don't want to hear about 'you'.  I think other people are more interested in things that you've seen or experienced.  So, yeah, I think that storytelling is a good way to meet the audience half-way.  Telling stories is defiantly something that we try to do. 

HGMN:  Now, do one of you do most of the music writing or is it more of a collaborative effort?

Bryan:  There's a lot of collaborating.  Mostly, me, Stuart and Daniel, we come to the table with an idea, or a bit of a song.  They can be in various stages of completion and we all work on it from that point.  Sometimes, we do what we're told and sometimes we give each other ideas on how to complete it. 

HGMN:  Your band is signed with the label Ramsuer Records.  How did that come about?

Stuart:  We met Dolph Ramseur after playing with The Avett Brothers, about two and a half years ago, at UNC-Chapel Hill.  We opened for them and Dolph really liked the sound we made.  He came up and talked with us and we sort of bonded with him.  He is an asset, that's for sure.  We thank our lucky stars every day.

HGMN:  Your tour schedule is becoming quite full, which is good.  Tell me about your van problems that you've had recently. 

James:  We had a lot of car problems!!  (laughter)  Our old van really did not like the state of West Virginia.  We were a little disappointed with the van.  It quit both times we went to West Virginia.  The first time was actually the first time I had ever driven the van.  I was driving it up the side of the mountain and I tried to rev it up to get over the top and something went 'pop' and green smoke started coming out of the van everywhere.  We had blown Bomba3out the heater core.  (laughs)  Well, actually I had blown out the heater core.  (laughs)  Fortunately we found a really nice mechanic and he routed some things around the heater core, so then we didn't have heat any more.  Which was pretty terrible.  This was in the beginning of winter, in October.  So, when it quit the second time, we just gave up on it and got another one. 

HGMN:  Tell me about what you all do to pass the huge amount of time you spend driving from show to show.

James:  As for what we do in the van...well, everyone but Stuart reads.  Stuart doesn't really like to improve his mind at all!  (laughter)  We've also been memorizing the capitals of Africa.

HGMN:  Really?!  Why?

James:  Drop one on us.

HGMN:  (laughs) I have no idea...um..Zimbabwe, that's in Africa.

Daniel:  The capitol is Harare.

HGMN:  I'll check on that and email you if you're right or not.  (laughter)

James:  This is actually going to be a song.  Our new song is about Kuala Lampur.  Now what country is that the capital of, Jen?  (laughter)

HGMN:  (laughing)  I have no idea...somewhere in Africa I imagine..(laughing)

James:  It is the capital of Maylasia.

HGMN:
Thanks for clarifying that.  (laughter)

James:  We also pick up a lot of records from people we play with, so we'll listen to the records and talk about what we like, what we hear.  We have a lot of really random conversations. 

Daniel:  We all have very specific positions in the van, too. 

HGMN:  So, certain people sit in certain places and have certain responsibilities?

Bryan:  It's sort of like, depending on where you are sitting in the van you have a different role.  The driver is obviously the driver, the person in the captain's chair, we don't call them the 'navigator' we call them the "executioner".  The executioner's job is to make decisions and make sure the driver executes them.  Different executioner's have different styles, depending on who it is.  (laughter)  Then, in the back, there is the 'strategy team."  And the strategy team's job is to confer and issue strategy reports that are commissioned by the executioner, based on the results of their report. 

HGMN:  I see.  It sounds almost like a military operation.bomba4

Stuart:  We run a tight ship, Jen.  (laughter)  Another job of the strategy team is to rubber neck.  To fill in the driver of everything they see.  Lot's of information gathering.  (laughing)

HGMN:  What is the strangest thing that has ever happened to you guys at a live performance?

James:  I've only been in Bombadil for only twenty-five percent of the shows so far, but in December we played in Winston-Salem, NC, at The Garage.  It was, you know, a normal crowd.  The show was going fine. You know, fine, but not great. Then, all of a sudden, about half way through, about thirty people, dressed head to toe as Santa Claus's poured into the venue.  I think they'd all had a fair amount to drink by the time they go there.  (laughter)  They were very happy.  They were very, very much enjoying the band.  (laughter)  They stood right at the center front of the stage, dancing around.   Dolph Ramseur was actually at the show and he said that no one would ever believe him when he told them this story.  (laughter)  They were throwing Santa Claus hats at us, yelling and carrying on.  Insane.  That's pretty unusual. 

HGMN:  Did this all throw you guys off?  I mean, did you just crack up?

James:  It was okay.  It was like, they were really into it. 

HGMN: Let's talk about your upcoming new release, due out April 29th, "A Buzz, Buzz'.  Do you guys each have a favorite track?

Daniel:  Picking a favorite song...well, that's kind of like choosing a favorite child or something.  (laughs)  I think some came out better than others.  I think that for different reasons we all like different tracks.  It's hard to pick one. 

HGMN:  How long did it take to complete the recording.

Bryan:  The first time we went to record was in Janurary of 2007.  The last time we went to record was in November.  We were probably finished with the master in December.  So, I guess you could say it took almost a twelve month period.  And it was hard, juggling our jobs and our tour schedule with the recording, so it just took a long, long time.  We were sort of new at it and there were some challenges with the recording process. 

HGMN:  Well, your style of music and how you guys play is not very, well, "traditional".

Bryan:  Yeah, we really pushed his softward to its limits.   One of the biggest challenges in recording this record was getting a piano.  That was kind of a daunting task.  The studio we used did not have a piano.  The studio was in this guy's home.  So, he kept offering me this great, like, software package, where he said he could give me what a grand piano would sound like in an auditorium.  We were like, "no, no, no..we really insist on using a real piano."  So, we got on Craig's List and eventually found one in Clayton, NC, about an hour away.  Went out, rented a Uhaul, drove it in...drug it in the house six hours later, sweating in the snow.  (laughter)  We finally managed to get it in the house and tried to tune it.  A few of the strings had broke and that kind of thing, so we just gave up on it.  What we finally decided to do was to take the engineering recording equipment off site and recording where a good  piano was.  This ended up working good, it was just a challenge every time we wanted to record we had to pack up all the equipment and go.  It was challenging.  Oh, and our first engineer ended up leaving for Italy after nine months.  We just couldn't get everything down, how we liked it in time.  So, we had some complications. 

HGMN:  So, with the new CD coming out the end of April, your tour is extending into the fall, right?

Bryan:  I don't know about the word "touring."  We look at it as more of just going in to work, I guess. (laughs)  I mean, we are trying to play as many shows as we possibly can.  Hopefully the shows keep coming in and we'll keep on driving.  We do have kind of a big 'tour' in June.  We are going out to the North West.  We are tapping that tour off with a show at Bonnaroo, which is really exciting. 
                                                         
bomba5Exciting is the right term for the current goings on of the group Bombadil.  They are indeed quite the bards of old, in a sense, telling stories of their own experiences with each song they perform.  The group of four put on a fantastic live show, incorporating audience participation with much glee, interchanging instruments with each other and wearing signature items of clothing, such as suspenders, sweater vests and various types of hats.  The live performances of Bombadil are most worthy of catching when and wherever one can.

April 29, 2008 heralds the release of their much anticipated studio album, "A Buzz, Buzz."  You can order the new CD, check out the band, their tour schedule and a bit of their music via  the following links:

http://www.myspace.com/bombadil
www.ramseurrecords.net
www.homegrownmusic.net

Justice and Devotchka, are joined by Band of Horses, TV on the Radio, Sharon Jones & The Dap Kings, Vampire Weekend, The Avett Brothers, Neko Case, Cut Copy, Del Tha Funky Homosapien, CSS, Silverspun Pickups and many more.
    Monolith Festival presented by esurance, held on September 13-14 at Red Rocks Amphitheatre, announces lineup.

TICKETS GO ON SALE FRIDAY, MAY 2nd at 10am MST
AT WWW.MONOLITHFESTIVAL.COM AND WWW.TICKETMASTER.COM

MONOLITH FESTIVAL presented by Esurance returns to Red Rocks Amphitheatre on Saturday September 13 and Sunday September 14.  The festival, which debuted in 2007 as the first multi-day, multi-stage festival ever held at Colorado's beloved outdoor venue, was instantly adopted as an indie fan favorite and a staple of the summer festival season.

Each year, MONOLITH hand picks an impressive lineup of indie favorites and blog darlings, which for 2008 includes Denver's own Devotchka and French electro-buzz-band Justice as headliners.  MONOLITH co-producer Josh Baker explains, "It's a true testament to Colorado's burgeoning music scene that one of this year's national breakout acts is also a hometown favorite." Joining the 2008 headliners is a deep and diverse roster including Silversun Pickups, Band of Horses, TV on the Radio, Sharon Jones & the Dap-Kings, Vampire Weekend, Avett Brothers, Neko Case, Del tha Funky Homosapien, Mickey Avalon, CSS, Cut Copy, The Kills, Tokyo Police Club and many, many more. A complete list of currently confirmed acts is included below, with additional artists still to be announced.  Visit www.monolithfestival.com for ongoing updates.

MONOLITH fills a niche in Colorado's already vibrant indie music scene, and even within a seemingly saturated U.S. festival market. With five stages and premium facility amenities, MONOLITH builds on the natural splendor of Red Rocks and has quickly become a requisite for festival goers and indie hipsters.  As Billboard Magazine reviewed, "The outrageously beautiful Red Rocks has been screaming out for an underground/indie-style music festival for many years...Thanks to the tireless work of an elite group of Colorado scenesters, the dream is now a reality." 

Tickets on sale beginning Friday , May 2, 2008 at 10am MST at www.monolithfestival.com and www.ticketmaster.com.

Ticketing Levels:                            

2-Day Ticket:                             $110     On Sale Friday, May 2 at 10 am MST
Single Day Tickets:                    $59.50  On Sale Friday, May 2 at 10 am MST
*2-Day and Single Day Tickets will be on sale at all Ticketmaster Outlets

For those looking to enhance their MONOLITH experience, MONOLITH will offer upgraded VIP packages, including premium festival amenities such as reserved soundboard seating, VIP parking, kick-off and after-party access, and more.  Visit www.monolithfestival.com for details.

VIP Gold Pass:                          $225 - On Sale Friday, Mat 2 at 10 am MST
*VIP Gold Passes are only available through monolithfestival.com

Complete confirmed lineup below, with other acts still to be announced:

Saturday, September 13
Devotchka
Silversun Pickups
Neko Case
Vampire Weekend
Mickey Avalon
Del tha Funky Homosapien
Cut Copy
The Fratellis
Superdrag
The Kills
Holy Fuck
White Denim
The Night Marchers
A Place to Bury Strangers
The Photo Atlas
The Hood Internet
John Vanderslice
Darker My Love
Cameron McGill & What Army
Blitzen Trapper
The Presets
Pop Levi
Pwrfl Power
The Morning Benders
Boyhollow

Sunday, September 14
Justice
TV on the Radio
Band of Horses
Sharon Jones and the Dap Kings
CSS
The Avett Brothers
Tokyo Police Club
Dan Le Sac vs. Scroobius Pip
Akron/Family
The Bronx
Tilly and the Wall
The Heavy
The Cribs
The Ting Tings
Airborne Toxic Event
Bright Channel
Chester French
Grampall Jookabox
The Rosewood Thieves
Hearts of Palm
The Giraffes
The Elms

2008 MONOLITH partners are Esurance, Southwest Airlines, Channel 93.3 FM, Westword, WOXY.com, Gigbot, HotFreaks, and Jakprints.

MONOLITH is produced by AEG Live Rocky Mountains and Monolith Festivals with curating support from the HotFreaks blog collective.  



Turbine - Reward CD

From the moment laser hits plastic on Turbine's second disc, Reward, the listener is barraged with frenetic tempos, breakneck instrumental breakdowns, and smartly layered vocal harmonies.
The 2nd Annual Asheville Music Jamboree has just announced artist additions!

From Gov't Mule to Grammy Award Winning roots reggae pioneer, Burning Spear and some of the southeast's top regional talent AMJam is flush with talent.  In addition, they have just added Abigail Washburn and the Sparrow Quartet ft. Bela Fleck, Larry Keel and McMurry Farms, Ralph Roddenbery and Asheville's own down-tempo backbeat, Telepath.

AmJam takes place Memorial Day Weekend, May 23-25, 2008.


In addition to over 30 musical acts on two stages, AmJam plans to entertain its guest through an assortment of activities including workshops, drum circles, parades, swimmng, outdoor contests, intimate campground performances, a craft village and festival-style fine dining. AmJam extends invitations to families (young children included) with open arms and will provide a number of family friendly events such as the Kid's Parade and the Children's Universe activity center. Habitat for Humanity will be in attendance along with HeadCount, a non-profit connecting potential voters through live music and events.

AmJam's mission is to create an event that mirrors the true spirit of Asheville with its picturesque scenery, unbridled talent and limitless hospitality, which has captured the hearts of poets, painters, princes and paupers! People have been drawn to Deerfields from across the map, sharing their talents and ideas to create a cultural tapestry that is enormously rich in diversity and unrivaled beauty.

The Deerfield's Amphitheater is located 20 minutes south of Asheville in the Mills River Community. The 940-acre family-owned tract of uninhabited wilderness offers camping, swimming and hiking. Tent camping will be plentiful, with a secluded family campground set aside. Car camping and RV passes are also available at an additional cost. Only 3,000 tickets will be sold to this year's AmJam. Tickets are currently on sale, with an allotment of Early Birds available at $125 for a limited time. After the Early Bird sale, tickets will be $140 in advance or $160 at the gate. Kids 13 and under are free and teens (13-16) can purchase tickets at half off.

Line-Up:
Gov't Mule
Burning Spear
Keller and the Keels
Larry Keel and McMurry Farms
Ivan Neville's Dumpstaphunk
James McMurty
the Lee Boys
Abigail Washburn and the Sparrow Quartet featuring Bela Fleck
RAQ
Boombox
Jeff Sipe Trio ft. Jeff Coffin
Jason Isbell
the Afromotive
Barrel House Mamas
Josh Phillips Folk Festival
Laura Reed and Deep Pocket
Outformation
Shannon Whitworth and the Refugees
Jaime McLean Band
The Kellin Watson Band
Bloodkin
Ralph Roddenberry
New Familiars
Telepath
the Shane Pruitt Band

For detailed information, please visit: www.amjam.net
All Good Music Festival announces 3rd round of artist additions.

Artists Join Previously Announced Lineup Including Phil Lesh & Friends, 
Widespread Panic, Gov't Mule, Michael Franti & Spearhead,
Medeski Scofield Martin & Wood plus many more
July 11-13 at Marvin's Mountaintop in Masontown, WV

Masontown, WV - April 23, 2008 - Holding true to its name, the 12th annual All Good Music Festival has added performances from Grace Potter & The Nocturnals, JJ Grey & MOFRO, Lettuce (an all-star group made up of members of Soulive, Robert Randolph & the Family Band, Kanye West and others), Eric Lindell, All Mighty Senators, Danielia Cotton and Reverend Peyton's Big Dam Band beefing up an already hefty list of artists for the event held at a picturesque, mountaintop location.

With the new acts added to the festival billing, the All Good Festival will be filled with the music and performances from earlier-announced artists Phil Lesh & Friends, Widespread Panic, Gov't Mule, Michael Franti & Spearhead, Medeski Scofield Martin & Wood, Keller Williams w/ Moseley, Droll & Sipe, Derek Trucks & Susan Tedeschi Soul Stew Revival, Mike Gordon, Dark Star Orchestra, The Avett Brothers, SOJA, The JOIN (with Shields & Shearer of The New Deal and Benevento & Russo), Railroad Earth, Tea Leaf Green, The Bridge, Perpetual Groove, Brazilian Girls, Hot Buttered Rum, RAQ, Bonerama, Pnuma Trio, The Wood Brothers, Bassnectar, Outformation, Telepath, deSol, Scrapomatic and Basshound.

Filling over 40 hours of live music throughout the weekend, attendees are able to witness each and every artist at the All Good Music Festival with no overlapping sets taking place in one centrally located concert area. 

Continuing its tradition of philanthropy and community support, the All Good Festival is partnering with and benefiting a handful of non-profits: Conscious Alliance's annual food drive where food donations contributed by festival patrons directly benefit the Morgantown food pantry and each donation of 10 canned food items receives a complimentary poster; HeadCount's voter registration drive where $.50 per ticket is contributed to their nationwide Get-Out-the-Vote efforts via the 'Cents for Sense' campaign; and the Rex Foundation, created in 1983 by the Grateful Dead to support individuality in the arts, a healthy environment, and other social services. The Bridge will host a 'Rex Jam' of a mixture of All Good Festival artists on Saturday afternoon as a fundraising effort for a local arts and music program.

As the mid-Atlantic's largest live music and camping event, the All Good Festival has grown to attract over 18,000 fans from across the nation. Aside from the musical performances, one of the festival's main attractions is the serene rural West Virginian setting and the natural grandeur of Marvin's Mountaintop.

Early arrival tickets for the Thursday Night All Good Festival Pre-Party with The Join, Brazilian Girls and Perpetual Groove are now available for $15 in advance and $30 at the gate; additionally, second-tier festival tickets are now available at the rate of $139 and are offered  through http://allgood.musictoday.com or charge by phone by at 1-800-594-TIXX.

Official All Good Festival Website:  www.allgoodfestival.com

Welcome to HGMN's new greening section. We’re doing lots of things to make our business greener and want to share that information with you. Hopefully you’ll find some tips on things you can do to help our planet as well.

The Three Rs: Reduce, Reuse, Recycle

We reuse scrap paper in our fax machine and for taking notes. Sensitive documents that go through our shredder are then composted and fed to our garden (appropriate food scraps are composted as well).

Our catalogs that come back in the mail and are still in good shape are sent out again to someone else. The same catalogs are also printed on up to 30% post consumer content.

We purchase office paper with as high of recycled content as possible (currently 100%!). All other used paper is delivered to the local recycling center along with our CANS, BOTTLES, CARDBOARD, PLASTIC etc. 

We reuse cardboard boxes and bubble mailers when possible for shipments and packaging.

Our festival crew reuses plastic water bottles and customers that need bags for their goods get recycled ones that we saved from prior shopping trips.

We use rechargeable batteries in equipment that requires them - not only does that eliminate hundreds of batteries from disposal - it also saves us lots of money in the long run.

rechargeable-graphic

We're proud that we reuse and recycle many times more volume than we generate in waste.  We hope you'll strive to do the same.

For more green content - click the "Greening" link at our site navigation menu.

Look for more stories about how we are greening to appear in the coming weeks.

Happy Earth Day!
Rothbury & partners to donate & install solar power for local school!

THE SUSTAINABLE FESTIVAL
CELEBRATING MUSIC, ART AND ACTION
HAPPENS JULY 3 - 6, 2008 IN ROTHBURY, MICHIGAN

ROTHBURY, the nation's first around-the-clock music and camping festival to implement maximum sustainability, near zero-waste initiatives and facilitate dialogue about climate change and clean energy solutions, is also giving back to the community with ROTHBURY's Solar Schools Program presented by RE:VOLVE APPAREL. Some of the nation's noted "Green Heroes" who are dedicated to shrinking society's carbon footprint on the environment will be teaming up with this innovative music festival to help outfit Shelby High School in Shelby, MI with a free solar panel system. ROTHBURY, together with RE:VOLVE Apparel, Black Rock Solar and Grand Rapids-based Bauer Power, has committed to donating a minimum of $50,000 worth of solar power to Shelby High.

"We were looking for creative ways to offset our carbon footprint," explains Jeremy Stein, ROTHBURY's Event Producer.  "Our Solar Schools Program is exciting to me because it will provide tangible, lasting benefits for the school." Today ROTHBURY's Greening Chief, Sarah Haynes of the Spitfire Agency, has connected ROTHBURY to Black Rock Solar, who will oversee the execution of ROTHBURY's Solar Schools Program.

Black Rock Solar's Executive Director Tom Price was recently chosen as one of three American "Environmental Heroes" by PEOPLE Magazine. "It is a tremendous honor to be chosen by PEOPLE Magazine, but it is our partners that are my heroes - conscious organizations like ROTHBURY and The Spitfire Agency, and Michigan's own Bauer Power, who will build and install the solar panel system, enable us to get the job done," says Price.  

The free solar power system will be benefiting the school for decades to come, drawing warm praise from school officials. "It's a wonderful opportunity for the school to teach the importance of renewable energy, like reducing greenhouse gasses.  We're very grateful to the ROTHBURY community for helping make this possible" said Dana McGrew, Superintendent of Shelby Public Schools.

Anyone can help - additional funds for ROTHBURY's Solar Schools Program are being collected via ROTHBURY's Green Ticket options.  ROTHBURY's Green Ticket offers attendees an easy 'one click' opportunity to offset the environmental impact of their own festival participation, as well as directly contribute to the Solar Schools Program. Doing so aids Shelby High School by significantly reducing their energy bill, thus freeing up funding to be put toward school programs. 

ROTHBURY's goal is to harness the unique energy of the live music community into a durable social movement toward an important cause: Climate Change and Clean Energy Alternatives. Under the direction of Greening Chief Sarah Haynes (President/Founder of The Spitfire Agency), ROTHBURY is dedicated to achieving maximum sustainability and near zero-waste via multiple initiatives, including: personal pocket-sized ashtrays to minimize litter, a Green Team work exchange program for festival goers dedicated to ROTHBURY's sustainability mission, the use of only compostable products, recycling and composting programs, carbon offsetting and the use of multiple clean energy options to help power the four day festival.

In addition to a diverse and stellar lineup of over 70 bands including Dave Matthews Band, Widespread Panic, John Mayer, 311, Phil Lesh and Friends, Primus, Thievery Corporation, Snoop Dogg , Modest Mouse, Michael Franti and Spearhead, Gov't Mule, Slightly Stoopid, STS9, Colbie Caillat, Rodrigo y Gabriela and many, many others, ROTHBURY will host an Energy Fair and a Think Tank. The Think Tank, featuring curator Dr. Stephen Schneider and participants including Dr. Eban Goodstein, L. Hunter Lovins, and Winona LaDuke , offers attendees access to various buzz sessions that will address the topics of Climate Change and Clean Energy Solutions and will be geared toward conversations related to corporations, government/policy makers, and the individual. The ROTHBURY Energy Fair will allow attendees to engage hands-on with cutting edge, sustainable technology and products and experience both scheduled and surprise activities and interactive workshops aimed at arousing discussion and implementing change.

On July 4th weekend 2008, ROTHBURY emerges as a new American celebration. Hosted at the one-of-a-kind Double JJ Ranch in Rothbury, Michigan on July 3- 6, 2008, the four day, environmentally sustainable music and camping festival promises to be an inspiring cultural assembly; one where music fans, artists and progressive thinkers gather to celebrate much more than music. With over 70 bands on 8 stages and unprecedented efforts at achieving 100% sustainability and energy efficiency, ROTHBURY is truly a "Party with a Purpose."

For more information about ROTHBURY and the Solar Schools Program powered by Black Rock Solar please visit www.rothburyfestival.com

A documentary about HeadCount can now be viewed at iClips.net

A story about the thriving activist spirit within the live music community.  Bob Weir, Trey Anastasio, Bela Fleck, John Medeski, Al Schnier and a ton of other musicians are interviewed in the film, and it also includes a lot of live concert footage. 

HeadCount is up and running in 30 cities now, and will be sending teams on the road this summer with Dave Matthews Band, Jack Johnson and John Mayer, among others.  Last week they threw a private fundraiser with Bob Weir at a home in Washington DC (Imagine 150 political-types in suits singing "Ripple" with Bobby on acoustic guitar!

For more about Headcount visit www.Headcount.org
June 27 & 28 at Asheville Civic Center with Perpetual Groove, Toubab Krewe, Telepath, Dubconscious & many more

Doors open on Friday at 6pm, and on Saturday at 5pm; Tickets are $30 for one day or $50 for both days.

Featuring an all-star lineup of Asheville- and regionally-based bands, the Vortex Music Festival begins its residence in Asheville on June 27 at the Asheville Civic Center.  The inaugural two-day event features Perpetual Groove, Dubconscious, Toubab Krewe and Yo Mama's Big Fat Booty Band, along with 16 more bands and DJs that highlight the local music scene in Asheville, NC and the surrounding region.  The full lineup is posted below. 

Night Skye Entertainment, the organization responsible for the Vortex Music Festival, seeks to highlight local talent as well as provide a broad spectrum of musical genres to enlighten, inspire and celebrate individual creativity through sound.  From the electronica of John Kelley and Telepath to the roots rock of Laura Reed and Deep Pocket, the festival offers something for every Asheville music lover and beyond. 

In addition to the event's unique lineup of stellar regional bands, Vortex offers something for the common good as well; this year's inaugural event will sponsor three nonprofit organizations, including Child Abuse Prevention Services, NCAHA and Manna Food Bank.  In addition, the event will be broadcast live by 105.9 The Mountain, so that everybody can enjoy the music if they can't make it to the show, and can feel free to donate to any of the above nonprofits as well.   

Tickets for the Vortex Music festival go on sale on April 20th and will be available at the door for the same price.  The Asheville civic center will play host to vendors and booths that are accessible from the venue floor, and food and drink will be readily available to all attendees.  For a complete lineup of artists, see below.   

Announced Lineup

Friday, June 27: 

  • Toubab Krewe
  • Telepath
  • SeepeopleS
  • Stephanies Id
  • Strut
  • Josh Phillips Folk Festival
  • Black Eyed Susan
  • Moksa
  • Thunder Drums 


Saturday  June 28:

  • Perpetual Groove
  • Dubconscious
  • Laura Reed and Deep Pocket
  • Yo Mama's Big Fat Booty Band
  • Marsupial
  • Blues Forgotten
  • John Kelley
  • Hardcut
  • Psiklone
  • Olof

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